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SEX MONEY MURDER

A STORY OF CRACK, BLOOD, AND BETRAYAL

A disturbing yet necessary, significant book by a journalist willing to place himself in danger.

The bloody history of a violent Bronx-based gang in the middle of the crack epidemic.

Journalist Green (Murder in the High Himalaya: Loyalty, Tragedy, and Escape from Tibet, 2010) initially focuses on the Bronx during the 1980s and ’90s, digging deep to explain how it became infested with gang-related shootings and a massive wave of deadly drug abuse. The author then moves the narrative into the present, explaining why crime has returned to the Bronx in full force after a temporary reduction. Although the saga is populated by a variety of vivid characters, Green emphasizes the importance of winning the trust of two veteran New York City policemen, John O’Malley and Pete Forcelli, and two lifelong Bronx-based criminals with experience inside the gang known as Sex Money Murder. Though the African-American gangsters, Pipe and Suge, felt no reason to trust Green, a white man with a British accent, they reluctantly met with him at the behest of O’Malley and Forcelli, who had helped bring them to justice and then encouraged them to leave their lives of crime. (Pipe mostly succeeded in becoming a law-abiding citizen, while Suge mostly failed.) The author realized the difficulties inherent in verifying much of what he heard from the gang members, and he labored mightily for confirmation by checking court records, police reports, and photographs as well as by interviewing prosecutors and defense lawyers. The bloodiness of the SMM–related crimes, as well as the lack of contrition from Suge, Pipe, and their cohorts, may turn off some readers, but Green’s insights into a culture unavailable to most readers are invaluable. As the author writes, “just north of my Manhattan apartment was a world as dangerous as any I had experienced as a journalist reporting in the favelas of Brazil, the garrisons of Kingston, Jamaica, or the killing fields of Colombia.”

A disturbing yet necessary, significant book by a journalist willing to place himself in danger.

Pub Date: May 15, 2018

ISBN: 978-0-393-24448-9

Page Count: 384

Publisher: Norton

Review Posted Online: Feb. 19, 2018

Kirkus Reviews Issue: March 1, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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