No one’s mind will be changed by Karl’s book, but it’s a valuable report from the scene of an ongoing train wreck.
The chief White House and Washington correspondent for ABC provides a ringside seat to a disaster-ridden Oval Office.
It is Karl to whom we owe the current popularity of a learned Latin term. Questioning chief of staff Mick Mulvaney, he followed up a perhaps inadvertently honest response on the matter of Ukrainian intervention in the electoral campaign by saying, “What you just described is a quid pro quo.” Mulvaney’s reply: “Get over it.” Karl, who has been covering Trump for decades and knows which buttons to push and which to avoid, is not inclined to get over it: He rightly points out that a reporter today “faces a president who seems to have no appreciation or understanding of the First Amendment and the role of a free press in American democracy.” Yet even against a bellicose, untruthful leader, he adds, the press “is not the opposition party.” The author, who keeps his eye on the subject and not in the mirror, writes of Trump’s ability to stage situations, as when he once called Trump out, at an event, for misrepresenting poll results and Trump waited until the camera was off before exploding, “Fucking nasty guy!”—then finished up the interview as if nothing had happened. Trump and his inner circle are also, by Karl’s account, masters of timing, matching negative news such as the revelation that Russia had interfered in the 2016 election with distractions away from Trump—in this case, by pushing hard on the WikiLeaks emails from the Democratic campaign, news of which arrived at the same time. That isn’t to say that they manage people or the nation well; one of the more damning stories in a book full of them concerns former Homeland Security head Kirstjen Nielsen, cut off at the knees even while trying to do Trump’s bidding.
No one’s mind will be changed by Karl’s book, but it’s a valuable report from the scene of an ongoing train wreck.Pub Date: March 31, 2020
ISBN: 978-1-5247-4562-2
Page Count: 368
Publisher: Dutton
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
IN THE NEWS
Only the most dedicated Ginsburg fans, and there are many, will devour everything here, but most readers will find items of...
From the second woman ever appointed to the Supreme Court, a collection of writings ranging from the slight to the serious.
Now 83, women’s rights icon Ginsburg nears the close of her distinguished career as a law professor, appellate advocate, judge, and justice, arguably having done more to move our law in the direction of gender equality than any living person. Now, as two Georgetown Law professors, Hartnett and Williams (emerita) prepare her official biography, they have collected Ginsburg’s speeches, lectures, articles, and opinions, some on offer here. They preface most of this material with explanatory, wholly complimentary notes and begin with a chapter of juvenilia, demonstrating Ginsburg’s early interest in human rights and in preserving individual liberties. Passages devoted to “the lighter side” of life at the Supreme Court include, for example, Ginsburg’s musings on lawyers depicted in opera, not least her own “starring” role in Scalia/Ginsburg. There follows a section on “waypavers” and “pathmarkers,” Ginsburg’s tributes to, among others, Belva Lockwood, the first woman admitted to the Supreme Court Bar, Gloria Steinem, “the face of feminism,” and Sandra Day O’Connor, the court’s first woman justice. Especially good are the author’s observations on the court’s “Jewish seat” and her charming lecture on four notable Supreme Court wives. These, and many other agreeable selections, are characterized as “remarks,” delivered and often recycled for various audiences. The collection also contains numerous bench announcements, summaries of some of Ginsburg’s most consequential opinions and dissents, and a few revealing essays that offer keys to her jurisprudence: for example, her perspective on the role of dissents, the value of consulting foreign law, and the wisdom of “measured motions” by the judiciary, wherein she mildly criticizes Roe v. Wade for provoking a backlash and halting “a political process that was moving in a reform direction.”
Only the most dedicated Ginsburg fans, and there are many, will devour everything here, but most readers will find items of interest from this icon of women’s rights.Pub Date: Oct. 4, 2016
ISBN: 978-1-5011-4524-7
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Aug. 24, 2016
Kirkus Reviews Issue: Sept. 1, 2016
BOOK REVIEW
Light entertainment from a witty woman.
A breezy little volume by an actress facing old age with aplomb.
Now in her late 60s, Keaton, an Academy Award winner in 1977 for her role in Woody Allen’s Annie Hall, sprinkles memories of her long career, including her friendships and more with certain leading men, into a mishmash of thoughts about childhood, beauty and parenting. The author’s attitude toward her own physical flaws—drooping eyes, a less-than-perfect nose, thinning hair—is meant to be reassuring to self-critical female readers. There is a rationale behind the omnipresent hats, tinted glasses and turtlenecks that other women might consider, but Keaton’s message is that everyone should do their own thing. Never married, she is raising two adopted children, now teenagers, who figure prominently in the narrative. Even movie stars, it seems, have ordinary parenting problems and bad days. Woven into the domestic scenes are recollections of film roles and fellow actors. Readers looking for chitchat about celebrities will be gratified; Keaton drops plenty of names, although at times, they seem to be somewhat forcefully injected into her narrative. The author is generous in her comments about others, giving full credit to her longtime friend Allen for launching her career and speaking well of the leading men in her life. For the record, Keaton reports that Warren Beatty, her co-star in Reds, had a pretty face, but Al Pacino, with whom she acted in the Godfather films, had a beautiful one. There are no illustrations; however, Keaton’s eye for detail makes them unnecessary. One caveat: The text is exceedingly brief, an afternoon’s read at best. The type is heavily leaded to fill out the pages, giving the impression that there’s more than is being delivered.
Light entertainment from a witty woman.Pub Date: April 29, 2014
ISBN: 978-0-8129-9426-1
Page Count: 224
Publisher: Random House
Review Posted Online: May 26, 2014
Kirkus Reviews Issue: June 15, 2014
BOOK REVIEW
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