Creative, with a laid-back charm that sometimes borders on sloppiness.
Glassman’s tale celebrates a mother-and-son bond with a touch of fantasy.
It’s difficult parenting an unusual child. Silas doesn’t sleep much, wears a cape with an actual wolf head to school, disappears in the woods for days at a time, and claims his best friends are Golnaar, a giant, and Shjineluft, a wizard. Unlike most kids, Silas muses deeply about subjects such as maturity (“If you surround yourself by the right elements, they all feed off each other”) and death (“The forest tells some of us to thrive and it tells some of us to die”). His caretaker Leigh has difficulty coping with some of his behavior, but their bond is profound; when Silas was a baby, his family’s van hurtled over a bridge, plunging them into the river. Leigh, riding by on a bike, managed to save Silas and his older brother from drowning, and Silas’ eccentric grandma, Dolly Doubloon, then gave him to Leigh, recognizing that she herself wasn’t the right guardian. Silas and Leigh collaborate on a YA graphic novel about his exploits called Wolf Boy & the Doubleback Giant, which unexpectedly becomes a bestseller. Silas’ disappearances from home lengthen, leading to Leigh finally discovering the surprising truth about Golnaar and Shjineluft. Glassman’s book is a mish-mash of many disparate ideas. It explores love—both romantic and between a parent and child—and nonconformity; elements of mysticism are also thrown in, such as the concept of Whulaks, “souls in limbo” who return to Earth through another’s death in order to give help. The writing can feel messy and slapdash—some passages have long confusing sentences and strange word choices (“[Leigh] looked up at him with adornment”), and four characters are given the same problem of alcohol addiction. The casual and folksy voice frequently used to narrate can seem jarring (“Then he really shocked the shit out of her”), but the imaginative reach of the story shines bright.
Creative, with a laid-back charm that sometimes borders on sloppiness.Pub Date: Oct. 11, 2025
ISBN: 9798990601406
Page Count: 290
Publisher: N/A
Review Posted Online: Oct. 7, 2025
Review Program: Kirkus Indie
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.
Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.
Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.Pub Date: Sept. 23, 2025
ISBN: 9780593972700
Page Count: 1040
Publisher: Del Rey
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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