by Jonathan London & illustrated by Frank Remkiewicz ‧ RELEASE DATE: Feb. 7, 2013
Not the most smoothly transitioned of Froggy fare, but endearing nevertheless.
Fans expect a flop flop flop in every Froggy adventure, but in this latest work, Froggy’s emotions flip-flop more than his webbed feet ever do.
Froggy wakes up, excited to start the weekend by going outside to play. But none of his friends are home. Luckily, his mom has a solution: She has set up a play date with Frogilina. Froggy’s reaction? “I’M NOT GOING!” Froggy slams the door—“BLAM!”—wails on his saxophone (“SQUAAAAAAWK”) and throws a ball against the wall (“thump thump thump”) to release some anger. But then he realizes that he does want to see the movie, even if Frogilina has to come along. He snaps on his favorite bowtie, slaps on some of Dad’s aftershave (Froggy’s true feelings come out) and heads to the theater. Froggy, of course, can’t sit still for an entire movie, and somehow Frogilina manages yet again to give him a great big smooch on the cheek. EEEWWW. London deals with a classic young-child dilemma—wrestling with the embarrassment of having a crush—with sympathetic humor. A post-movie visit to an ice-cream stand feels more tacked on to provide additional sound-effect opportunities than derived organically from the story, alas.
Not the most smoothly transitioned of Froggy fare, but endearing nevertheless. (Picture book. 3-5)Pub Date: Feb. 7, 2013
ISBN: 978-0-670-01427-9
Page Count: 32
Publisher: Viking
Review Posted Online: Dec. 25, 2012
Kirkus Reviews Issue: Jan. 15, 2013
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by Ame Dyckman ; illustrated by Zachariah OHora ‧ RELEASE DATE: April 5, 2016
A charmingly loud and lighthearted friendship story.
A freckle-faced white child with a mass of red curls piled three times the height of her head is flying her kite near a snowcapped mountaintop when—“snap!”—the string breaks, and the toy is blown into a sleeping bear’s cave, coming to rest on his belly.
Readers are cued into the nonscary absurdity as they observe the orange-furred bear napping in a Froggy Hollow Summer Camp T-shirt stretched across his huge belly, a tiny teddy bear tucked in his arm. As the girl reaches for her kite, the bear rolls over, crushing it: “crunch!” The girl is shocked into a fit of righteous anger, blaming the bear for breaking her toy. “HORRIBLE BEAR!”—and so begins the refrain of her angry tantrum. The team that brought readers the adorable Wolfie the Bunny (2014) continues their success here. OHora’s paintings are boldly colored and layered: a yellow stuffed bunny wears a teal jacket; the purple-and-black–clad little girl strides in red Converse high-top sneakers over a pea-green lawn. The limited language and solid acrylic paintings work together beautifully to convey emotion. When the little girl realizes that the bear didn’t break her toy on purpose, one word speaks volumes: “Oh.” Her face fills the entire page, her feelings indicated with black dot eyes, a couple of curved lines, and a black dot mouth.
A charmingly loud and lighthearted friendship story. (Picture book. 3-5)Pub Date: April 5, 2016
ISBN: 978-0-316-28283-3
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Jan. 8, 2016
Kirkus Reviews Issue: Jan. 15, 2016
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by Douglas Florian & illustrated by Douglas Florian ‧ RELEASE DATE: Oct. 31, 2000
“What’s big?” asks a pleasant pink pig as he compares himself to cows, cars, trucks, streets, the neighborhood, the city, and the earth, and finally to the universe, which “makes everything seem small.” Although the concept of relative size is well taken, the expansion from self to universe is flawed by the incongruity of some of the images. The pig and the cow squeeze into a model T–type car that is stuck in the mud, but are towed by a modern tow truck into a modern city. In the final sequence, the sun seems smaller than the earth. A simple verse pattern carries the lilting text with each verse ending with the repetitive phrase “What’s bigger than . . .” Florian’s double-paged watercolor paints and colored pencil are soft and muted, sometimes too muted, particularly in background areas. Occasional flashes of humor illustrate the text as the cow and the pig travel through a city populated by animals at work and at play. It ends with an amusing image of the pig as a constellation in the universe. Not Florian’s best effort, but a good conversation-starter with a young child about comparative size. (Picture book. 3-5)
Pub Date: Oct. 31, 2000
ISBN: 0-688-17125-7
Page Count: 24
Publisher: Greenwillow Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2000
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