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ICE BEAR AND LITTLE FOX

Icy blue and white paintings dominate this handsome story of a polar bear during his first year away from his mother. Spare text appears in tan boxes superimposed on the paintings, describing the bear’s efforts to hunt seal and avoid his enemies, the bull walrus and killer whale. A tagalong white arctic fox follows wherever the polar bear goes, ready to eat the scraps that are left after a kill, and proves useful, warning the bear when killer whales are near. San Souci captures the dignity and strength of the protagonist as well as the dramatic habitat. The violence is not overt; the polar bear lunges at a seal in one scene, and in the next appears rolling on the ice after his meal, with the barest evidence that the seal has been caught and eaten. A striking volume. (glossary) (Picture book. 5-8)

Pub Date: Nov. 1, 1998

ISBN: 0-525-45907-3

Page Count: 40

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1998

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WATER

``Water is dew. Water is ice and snow.'' No matter what form it takes, seldom has plain old water appeared so colorful as in this rainbow-hued look at rain, dew, snowflakes, clouds, rivers, floods, and seas. Asch celebrates water's many forms with a succinct text and lush paintings done in mostly in softly muted watercolors of aqua, green, rose, blue, and yellow. They look as if they were created with a wet-on-wet technique that makes every hue lightly bleed into its neighbor. Water appears as ribbons of color, one sliding into the other, while objects that are not (in readers' minds) specifically water-like—trees, rocks, roots—are similarly colored. Perhaps the author intends to show water is everything and everything is water, but the concept is not fully realized for this age group. The whole is charming, but more successful as art than science. Though catalogued as nonfiction, this title will be better off in the picture book section. (Picture book/nonfiction. 5-7)

Pub Date: March 1, 1995

ISBN: 0-15-200189-1

Page Count: 32

Publisher: Harcourt

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: March 15, 1995

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ANIMAL ARCHITECTS

From the Amazing Animals series

An arguable error of omission and definite errors of commission sink this otherwise attractive effort.

A look at the unique ways that 11 globe-spanning animal species construct their homes.

Each creature garners two double-page spreads, which Cherrix enlivens with compelling and at-times jaw-dropping facts. The trapdoor spider constructs a hidden burrow door from spider silk. Sticky threads, fanning from the entrance, vibrate “like a silent doorbell” when walked upon by unwitting insect prey. Prairie dogs expertly dig communal burrows with designated chambers for “sleeping, eating, and pooping.” The largest recorded “town” occupied “25,000 miles and housed as many as 400 million prairie dogs!” Female ants are “industrious insects” who can remove more than a ton of dirt from their colony in a year. Cathedral termites use dirt and saliva to construct solar-cooled towers 30 feet high. Sasaki’s lively pictures borrow stylistically from the animal compendiums of mid-20th-century children’s lit; endpapers and display type elegantly suggest the blues of cyanotypes and architectural blueprints. Jarringly, the lead spread cheerfully extols the prowess of the corals of the Great Barrier Reef, “the world’s largest living structure,” while ignoring its accelerating, human-abetted destruction. Calamitously, the honeybee hive is incorrectly depicted as a paper-wasps’ nest, and the text falsely states that chewed beeswax “hardens into glue to shape the hive.” (This book was reviewed digitally.)

An arguable error of omission and definite errors of commission sink this otherwise attractive effort. (selected sources) (Informational picture book. 5-8)

Pub Date: Sept. 7, 2021

ISBN: 978-1-5344-5625-9

Page Count: 56

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: July 5, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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