by Jonathan Nossiter ‧ RELEASE DATE: May 21, 2019
An audacious manifesto that restores the broken bond between culture and agriculture and finds vital inspiration for...
Like Joni Mitchell with “Woodstock,” sommelier and award-winning film director Nossiter (Liquid Memory: Why Wine Matters, 2010) suggests that it’s time “to get back to the garden,” to an Eden that was lost to consumerism.
The author’s 2004 film Mondovino, a documentary on the world of wine that would continue to influence both his subject matter and his process, represented something of a turning point for him. He discovered that “spontaneous fermentation is possible,” for both wine and film, if one follows the best impulses that refuse to cater to the marketplace and the sort of additives—chemicals for wine, celebrity and commerce for filmmakers—that can deaden radical inspiration. This is a sequel of sorts to his previous book, and it reinforces the impression that sometimes a glass of wine is more than a glass of wine. As Nossiter rails against “the agro-cultural homogenization of branded wines,” he draws parallels with the culture at large, and film in particular. Where the likes of Fellini and Cassavetes once followed their own muses, modern filmmakers more often submit to the will of consumer society, becoming an accessory to the powers that be rather than an adversary. Ultimately, artists become nothing more than brands. Film critics, like wine journalists, are equally culpable, reinforcing standards that further rob the art of its vitality. Nossiter finds the natural wine movement filled with those who had pursued their passion in the arts (literary, dance, film, etc.) before finding that wine could both express and satisfy the artistic impulse. In reclaiming the value of the authentic and the sincere, terms trashed by critics and academics, the author also attacks “the coked-up contortions of Martin Scorsese’s self-consciously frenetic movement.” Even when Nossiter’s arguments don’t completely convince, his writing is always provocative and entertaining.
An audacious manifesto that restores the broken bond between culture and agriculture and finds vital inspiration for contemporary filmmaking in the natural wine movement.Pub Date: May 21, 2019
ISBN: 978-1-59051-826-7
Page Count: 272
Publisher: Other Press
Review Posted Online: March 9, 2019
Kirkus Reviews Issue: April 1, 2019
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by Bari Weiss ‧ RELEASE DATE: Sept. 10, 2019
A forceful, necessarily provocative call to action for the preservation and protection of American Jewish freedom.
Known for her often contentious perspectives, New York Times opinion writer Weiss battles societal Jewish intolerance through lucid prose and a linear playbook of remedies.
While she was vividly aware of anti-Semitism throughout her life, the reality of the problem hit home when an active shooter stormed a Pittsburgh synagogue where her family regularly met for morning services and where she became a bat mitzvah years earlier. The massacre that ensued there further spurred her outrage and passionate activism. She writes that European Jews face a three-pronged threat in contemporary society, where physical, moral, and political fears of mounting violence are putting their general safety in jeopardy. She believes that Americans live in an era when “the lunatic fringe has gone mainstream” and Jews have been forced to become “a people apart.” With palpable frustration, she adroitly assesses the origins of anti-Semitism and how its prevalence is increasing through more discreet portals such as internet self-radicalization. Furthermore, the erosion of civility and tolerance and the demonization of minorities continue via the “casual racism” of political figures like Donald Trump. Following densely political discourses on Zionism and radical Islam, the author offers a list of bullet-point solutions focused on using behavioral and personal action items—individual accountability, active involvement, building community, loving neighbors, etc.—to help stem the tide of anti-Semitism. Weiss sounds a clarion call to Jewish readers who share her growing angst as well as non-Jewish Americans who wish to arm themselves with the knowledge and intellectual tools to combat marginalization and defuse and disavow trends of dehumanizing behavior. “Call it out,” she writes. “Especially when it’s hard.” At the core of the text is the author’s concern for the health and safety of American citizens, and she encourages anyone “who loves freedom and seeks to protect it” to join with her in vigorous activism.
A forceful, necessarily provocative call to action for the preservation and protection of American Jewish freedom.Pub Date: Sept. 10, 2019
ISBN: 978-0-593-13605-8
Page Count: 224
Publisher: Crown
Review Posted Online: Aug. 22, 2019
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by Bob Woodward & Carl Bernstein ‧ RELEASE DATE: June 18, 1974
Bernstein and Woodward, the two Washington Post journalists who broke the Big Story, tell how they did it by old fashioned seat-of-the-pants reporting — in other words, lots of intuition and a thick stack of phone numbers. They've saved a few scoops for the occasion, the biggest being the name of their early inside source, the "sacrificial lamb" H**h Sl**n. But Washingtonians who talked will be most surprised by the admission that their rumored contacts in the FBI and elsewhere never existed; many who were telephoned for "confirmation" were revealing more than they realized. The real drama, and there's plenty of it, lies in the private-eye tactics employed by Bernstein and Woodward (they refer to themselves in the third person, strictly on a last name basis). The centerpiece of their own covert operation was an unnamed high government source they call Deep Throat, with whom Woodward arranged secret meetings by positioning the potted palm on his balcony and through codes scribbled in his morning newspaper. Woodward's wee hours meetings with Deep Throat in an underground parking garage are sheer cinema: we can just see Robert Redford (it has to be Robert Redford) watching warily for muggers and stubbing out endless cigarettes while Deep Throat spills the inside dope about the plumbers. Then too, they amass enough seamy detail to fascinate even the most avid Watergate wallower — what a drunken and abusive Mitchell threatened to do to Post publisher Katherine Graham's tit, and more on the Segretti connection — including the activities of a USC campus political group known as the Ratfuckers whose former members served as a recruiting pool for the Nixon White House. As the scandal goes public and out of their hands Bernstein and Woodward seem as stunned as the rest of us at where their search for the "head ratfucker" has led. You have to agree with what their City Editor Barry Sussman realized way back in the beginning — "We've never had a story like this. Just never."
Pub Date: June 18, 1974
ISBN: 0671894412
Page Count: 372
Publisher: Simon & Schuster
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: June 1, 1974
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