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AMONG THE LIVING

An overly schematic novel about suffering, trauma, and the possibility of healing that works best in its moments of quiet,...

Yitzhak Goldah arrives in Savannah, Georgia, in 1947 with a hat, a small suitcase, and the suit on his back, like “a sail still holding its shape even after the wind has died away.”

Goldah, a Czech Jew, is 31 years old; he has just survived two and a half years in concentration camps. Now the war has ended, and his cousins, Abe and Pearl Jesler, have sponsored his immigration to the American South. From the moment of his arrival, Goldah is struck by a series of hypocrisies. First there is the sodden pity directed at him by the Jeslers and their wealthy friends, who pant for information about what he’s “been through” even as they squirm before the truth. Then there is the odd rivalry between Savannah’s Conservative and Reform Jews, a division that may seem trivial to Goldah but which affects him all the same. It isn’t long before Goldah, who has landed with the Conservative Jeslers, finds himself attracted to a beautiful Reform widow named Eva, drawing frowns of disapproval from both sides. Finally, there is the systematic oppression of black people, which Savannah’s Jews participate in even as they are learning the extent of the devastation wreaked by the Holocaust. As Calvin, a black man who works for Abe, tells Goldah: “They tried to kill you, all a you, all at once. I seen that. But here they kill us one at a time and that’s a difference.” This is a lot for one slim novel to pack in, but Rabb, author of a trilogy of historical thrillers, packs in more. As it turns out, Abe, a shoe salesman, has involved himself in some illegal import business and is in over his head. Then a mysterious woman appears: Goldah, it seems, had once been engaged, and the fiancee he had presumed dead is alive. It’s at this point that the novel starts to break down. Rabb is an accomplished storyteller with an eye for telling detail and for dialogue. The novel proceeds at a fast clip. But he’s jammed in too much. The plot feels overly determined, burdened by the historical parallels Rabb is everywhere eager to draw. His desire to wrap up all these narrative lines seems too neat and tidy, too like a gift box tightly wrapped in string.

An overly schematic novel about suffering, trauma, and the possibility of healing that works best in its moments of quiet, spare description.

Pub Date: Oct. 4, 2016

ISBN: 978-1-59051-803-8

Page Count: 288

Publisher: Other Press

Review Posted Online: June 29, 2016

Kirkus Reviews Issue: July 15, 2016

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THE NAMESAKE

A disappointingly bland follow-up to a stellar story collection.

A first novel from Pulitzer-winner Lahiri (stories: Interpreter of Maladies, 1999) focuses on the divide between Indian immigrants and their Americanized children.

The action takes place in and around Boston and New York between 1968 and 2000. As it begins, Ashoke Ganguli and his pregnant young wife Ashima are living in Cambridge while he does research at MIT. Their marriage was arranged in Calcutta: no problem. What is a problem is naming their son. Years before in India, a book by Gogol had saved Ashoke’s life in a train wreck, so he wants to name the boy Gogol. The matter becomes contentious and is hashed out at tedious length. Gogol grows to hate his name, and at 18 the Beatles-loving Yale freshman changes it officially to Nikhil. His father is now a professor outside Boston; his parents socialize exclusively with other middle-class Bengalis. The outward-looking Gogol, however, mixes easily with non-Indian Americans like his first girlfriend Ruth, another Yalie. Though Lahiri writes with painstaking care, her dry synoptic style fails to capture the quirkiness of relationships. Many scenes cry out for dialogue that would enable her characters to cut loose from a buttoned-down world in which much is documented but little revealed. After an unspecified quarrel, Ruth exits. Gogol goes to work as an architect in New York and meets Maxine, a book editor who seems his perfect match. Then his father dies unexpectedly—the kind of death that fills in for lack of plot—and he breaks up with Maxine, who like Ruth departs after a reported altercation (nothing verbatim). Girlfriend number three is an ultrasophisticated Indian academic with as little interest in Bengali culture as Gogol; these kindred spirits marry, but the restless Moushumi proves unfaithful. The ending finds the namesake alone, about to read the Russian Gogol for the first time.

A disappointingly bland follow-up to a stellar story collection.

Pub Date: Sept. 16, 2003

ISBN: 0-395-92721-8

Page Count: 304

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2003

Categories:
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SOMETHING WICKED THIS WAY COMES

A somewhat fragmentary nocturnal shadows Jim Nightshade and his friend Will Halloway, born just before and just after midnight on the 31st of October, as they walk the thin line between real and imaginary worlds. A carnival (evil) comes to town with its calliope, merry-go-round and mirror maze, and in its distortion, the funeral march is played backwards, their teacher's nephew seems to assume the identity of the carnival's Mr. Cooger. The Illustrated Man (an earlier Bradbury title) doubles as Mr. Dark. comes for the boys and Jim almost does; and there are other spectres in this freakshow of the mind, The Witch, The Dwarf, etc., before faith casts out all these fears which the carnival has exploited... The allusions (the October country, the autumn people, etc.) as well as the concerns of previous books will be familiar to Bradbury's readers as once again this conjurer limns a haunted landscape in an allegory of good and evil. Definitely for all admirers.

Pub Date: June 15, 1962

ISBN: 0380977273

Page Count: 312

Publisher: Simon & Schuster

Review Posted Online: March 20, 2012

Kirkus Reviews Issue: June 15, 1962

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