edited by Jonathan Strahan ‧ RELEASE DATE: Sept. 8, 2020
If this is the future of science fiction, the genre is in very good hands.
Exploring critical issues impacting humankind—from climate change to racism to mass shootings—this timely and thematically profound anthology of the year’s best short-form science fiction is filled with thought-provoking gems.
Noteworthy stories from all over the globe are featured prominently in this collection, including Indian writer Indrapramit Das’ dark “Kali_Na,” which chronicles the unforeseen consequences of a megacorp developing an AI deity for the masses; Saleem Haddad’s “Song of the Birds,” about a 14-year-old girl living in Gaza City struggling to understand her brother’s inexplicable suicide; and Chinese writer Han Song’s metaphorical “Submarines,” in which the poor are forced to live in homemade habitats underwater. Peter Watt’s “Cyclopterus”—set in a near future ravaged by environmental collapse—is chillingly plausible, as is “Thoughts and Prayers” by Ken Liu, which chronicles a couple’s ordeal after their daughter is killed at a music festival by a shooter and their lives are destroyed by online trolls. “The Bookstore at the End of America” by Charlie Jane Anders is both disturbing and inspiring. Molly and her daughter, Phoebe, run a bookstore located on the border of California and the United States, which are at war. When the fighting begins and customers from both sides find shelter inside, the owners begin a mandatory book club—with glorious results. In an anthology full of powerful stories, perhaps the most memorable is “Emergency Skin” by N.K. Jemisin, about an explorer who returns to an Earth that his misogynist, racist, and elitist ancestors left generations earlier as it was dying—only to find not a barren, graveyard planet, as he expected, but one thriving and vastly advanced. In a sentence that exemplifies the tone of many of the anthology’s selections, Jemisin writes: “Sometimes that’s all it takes to save a world, you see. A new vision. A new way of thinking, appearing at just the right time.”
If this is the future of science fiction, the genre is in very good hands.Pub Date: Sept. 8, 2020
ISBN: 978-1-5344-4959-6
Page Count: 608
Publisher: Saga/Simon & Schuster
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
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edited by Jonathan Strahan
by Marjan Kamali ‧ RELEASE DATE: July 2, 2024
A touching portrait of courage and friendship.
A lifetime of friendship endures many upheavals.
Ellie and Homa, two young girls growing up in Tehran, meet at school in the early 1950s. Though their families are very different, they become close friends. After the death of Ellie’s father, she and her difficult mother must adapt to their reduced circumstances. Homa’s more warm and loving family lives a more financially constrained life, and her father, a communist, is politically active—to his own detriment and that of his family’s welfare. When Ellie’s mother remarries and she and Ellie relocate to a more exclusive part of the city, the girls become separated. They reunite years later when Homa is admitted to Ellie’s elite high school. Now a political firebrand with aspirations to become a judge and improve the rights of women in her factionalized homeland, Homa works toward scholastic success and begins practicing political activism. Ellie follows a course, plotted originally by her mother, toward marriage. The tortuous path of the girls’ adult friendship over the following decades is played out against regime change, political persecution, and devastating loss. Ellie’s well-intentioned but naïve approach stands in stark contrast to Homa’s commitment to human rights, particularly for women, and her willingness to risk personal safety to secure those rights. As narrated by Ellie, the girls’ story incorporates frequent references to Iranian food, customs, and beliefs common in the years of tumult and reforms accompanying the Iranian Revolution. Themes of jealousy—even in close friendships—and the role of the shir zan, the courageous “lion women” of Iran who effect change, recur through the narrative. The heartaches associated with emigration are explored along with issues of personal sacrifice for the sake of the greater good (no matter how remote it may seem).
A touching portrait of courage and friendship.Pub Date: July 2, 2024
ISBN: 9781668036587
Page Count: 336
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: April 19, 2024
Kirkus Reviews Issue: May 15, 2024
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by Chinua Achebe ‧ RELEASE DATE: Jan. 23, 1958
This book sings with the terrible silence of dead civilizations in which once there was valor.
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Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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