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FITZ AND CLEO

From the Fitz and Cleo series , Vol. 1

Cute as a boo-ton—if a tad stereotypical.

Ghost siblings ghoul it up in a new graphic-novel series.

A “THUMP” from the attic sends siblings Fitz and Cleo up to investigate. The spooky vibes delight Cleo, so she improvises “The Spooky Attic Song.” Fitz tries to shush his sister so they can maintain “the element of surprise” as they approach the sound’s source. The mystery is solved: It’s a cat! Cleo promptly scoops the (seemingly mortal) cat up and names him Mister Boo. Fitz has reservations but relents when Mister Boo sits on his head. Ten subsequent chapters, varying between four and seven pages in length, chronicle the trio’s further shenanigans. Husband-and-wife team Stutzman and Fox create an entertaining early graphic novel in the vein of Ben Clanton’s Narwhal and Jelly series. Though there are occasional speech bubbles, dialogue is most often connected to the speaker by a solid black line. Sentences are short, and there are at most two speakers per panel. Additionally, with no more than six panels per page and simple backgrounds, the story provides adequate support to emerging readers. Fox’s expressive illustrations and clever use of panel layouts effectively build off the humor in Stutzman’s text. Cleo is depicted with a purple bow; Fitz with a baseball cap and glasses. Unfortunately, their personalities as well as their appearances play into gender stereotypes.

Cute as a boo-ton—if a tad stereotypical. (Graphic fantasy. 6-10)

Pub Date: May 4, 2021

ISBN: 978-1-250-23944-0

Page Count: 64

Publisher: Henry Holt

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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BEST BUNNY BROTHER EVER

A tale of mutual adoration that hits a sweet note.

Little Honey Bunny Funnybunny loves baseball almost as much as she loves her big brother P.J.—though it’s a close-run thing.

Readers familiar with the pranks P.J. plays on his younger sibling in older episodes of the series (most illustrated by Roger Bollen) will be amused—and perhaps a little confused—to see him in the role of perfect big brother after meeting his swaddled little sister for the first time in mama’s lap. But here, along with being a constant companion and “always happy to see her,” he cements his heroic status in her eyes by hitting a home run for his baseball team and then patiently teaching her how to play T-ball. After carefully coaching her and leading her through warm-up exercises, he even sits in the stands, loudly cheering her on as she scores the winning run in her own very first game. “‘You are the best brother a bunny could ever have!’” she burbles. This tale’s a tad blander compared with others centered on P.J. and his sister, but it’s undeniably cheery, with text well structured for burgeoning readers. The all-smiles animal cast in Bowers’ cartoon art features a large and diversely hued family of bunnies sporting immense floppy ears as well as a multispecies crowd of furry onlookers equally varied of color, with one spectator in a wheelchair.

A tale of mutual adoration that hits a sweet note. (Early reader. 6-8)

Pub Date: Jan. 6, 2026

ISBN: 9798217032464

Page Count: 48

Publisher: Random House

Review Posted Online: March 17, 2026

Kirkus Reviews Issue: May 1, 2026

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DOG MAN AND CAT KID

From the Dog Man series , Vol. 4

More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.

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Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).

The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).

More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)

Pub Date: Dec. 26, 2017

ISBN: 978-0-545-93518-0

Page Count: 256

Publisher: Graphix/Scholastic

Review Posted Online: May 13, 2018

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