For truly capturing the power of dreams and the resilience of human nature, this book deserves a wide audience.
Steinberg (Little Liberia: An African Odyssey in New York City, 2011, etc.) weaves together the many personas of a man whose story is at once unique and an archetypal example of an all-too-large collective.
Asad Abdullahi is many things: refugee, entrepreneur, father, dreamer. In the beginning, though, his identity was simple: a happy child with loving parents living in a city he called his own. That city was Mogadishu, Somalia, and in 1991, Asad's idyllic family life was shattered due to their identity as members of the Daarood tribe. When violence against Daarood men became common, Asad’s father started sleeping away from home to keep the family safe. One morning, he simply didn’t return. Soon after, Asad's mother was murdered by militiamen. As his family and other Daarood refugees fled the violence and eventually their country, Asad was repeatedly separated from those he knew and loved. Upon his eventual arrival in Kenya, the ritual of leaving everything he knew behind became the norm. He created new, nontraditional family units, but he always separated himself from them because, as Steinberg writes, “he is a person with an enormous appetite for risk.” Asad’s adolescent years were marked by a pattern of being taken in and looked after just long enough for him to believe he could improve his life by moving on. So he moved continuously on and sometimes up, carrying the scars of failures and mistakes with him along the way. Steinberg's solid prose is perfect for the task of sharing Asad's history. He probes the darkest moments of his subject’s life without ever becoming maudlin, telling the story starkly and bluntly. He ably demonstrates to readers Asad's absolute refusal to give up while reminding them that, despite his tribulations, in many ways, his path was his own to form.
For truly capturing the power of dreams and the resilience of human nature, this book deserves a wide audience.Pub Date: Jan. 6, 2015
ISBN: 978-0-385-35272-7
Page Count: 336
Publisher: Knopf
Review Posted Online: Oct. 21, 2014
Kirkus Reviews Issue: Nov. 1, 2014
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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