A fun, if flawed, treatment of myth and mystery.
A debut novel that imagines a modern world where ancient Greek deities still find themselves entangled in human affairs.
Selene DiSilva’s calling is avenging the wrongs perpetrated on women by men. She’s been doing it for thousands of years—ever since she lived in ancient Greece and was known by the name of Artemis. When a Columbia professor is found murdered in what appears to be a revival of ancient cult practices, Selene realizes she has a new challenge on her hands. And though she usually works alone, the murdered woman’s colleague (and ex-lover) professor Theodore Schultz becomes her unlikely sidekick: Selene must draw on his knowledge of the ancient world to help solve the mystery of the ritual murder before the ceremony’s 10-day window of time closes. This isn’t the only race against time Selene faces. As the Greek gods fade from cultural memory, and the realms they stand for (hunting, the hearth) become obsolete, she must try to catch the killer before her powers—and her life—fade away. Brodsky is clearly having fun writing this novel; one can feel her relish on the page in imagining what Greek gods like Hades, the God of the Underworld, or Hermes, the messenger god, might be doing in the 21st century. Consequently, the novel’s greatest strength is its detailed and engaging use of both widely known and more obscure elements of ancient Greek life and myth. However, lovers of ancient myth know that, despite the way mythological figures are often oversimplified to represent a few attributes—philandering, mighty Zeus, for example—these characters are usually more complicated than they seem on the surface. While Brodsky has fun with the cartoonish aspects of the gods' personalities, these broad strokes unfortunately extend to the novel’s human characters, too, which create portraits that border on stereotype.
A fun, if flawed, treatment of myth and mystery.Pub Date: Feb. 16, 2016
ISBN: 978-0-316-34718-1
Page Count: 432
Publisher: Orbit/Little, Brown
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
At Buckkeep in the Six Duchies, young Fitz, the bastard son of Prince Chivalry, is raised as a stablehand by old warrior Burrich. But when Chivalry dies without legitimate issue—murdered, it's rumored—Fitz, at the orders of King Shrewd, is brought into the palace and trained in the knightly and courtly arts. Meanwhile, secretly at night, he receives instruction from another bastard, Chade, in the assassin's craft. Now, King Shrewd's subjects are imperiled by the visits of the Red-Ship Raiders—formidable warriors who pillage the seacoasts and turn their human victims into vicious, destructive zombies. Since rehabilitating the zombies proves impossible, it's Fitz's task to go abroad covertly and kill them as quickly and humanely as possible. Shrewd orders that Fitz be taught the Skill—mental powers of telepathy and coercion possessed by all those of the royal line; his teacher is Galen, a sadistic ally of the popinjay Prince Regal, who hates Fitz all the more for his loyalty to Shrewd's other son, the stalwart soldier Verity. Galen brutalizes Fitz and, unknown to anyone, implants a mental block that prevents Fitz from using the Skill. Later, Shrewd decrees that, to cement an alliance, Verity shall wed the Princess Kettricken, heir to a remote yet rich mountain kingdom. Verity, occupied with Skillfully keeping the Red-Ship Raiders at bay, can't go to collect his bride, so Regal and Fitz are sent. Finally, Fitz must discover the depths of Regal's perfidy, recapture his true Skill, win Kettricken's heart for Verity, and help Verity defeat the Raiders. An intriguing, controlled, and remarkably assured debut, at once satisfyingly self-contained yet leaving plenty of scope for future extensions and embellishments.
Pub Date: April 17, 1995
ISBN: 0-553-37445-1
Page Count: 368
Publisher: Spectra/Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
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