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THE LIZARD

A pensive, allegorical fairy tale for readers ready to sit with perplexity.

Panic ensues when an unwelcome guest arrives.

A lizard appears in the Chiado neighborhood of Lisbon, Portugal. It stops in the middle of the street, halting cars and causing an old woman to scream. People scatter in fear, planes fly overhead, all while the lizard remains mostly unperturbed. Finally, the people launch an attack, and, “thanks to the fairies,” the lizard “was transformed into a crimson rose.” The rose blooms, turns white, then becomes a dove. The narrator claims in the opening that “this is a fairy tale,” for “in what other kind of story would a lizard appear in Chiado?” Semantic arguments aside, this tale is high-concept fiction. With political-leaning overtones, the 1998 Nobel Prize–winning Saramago integrates overriding realism akin to Aesop with Carrollian exaggeration. Young non-Portuguese readers may need an older reader to help interpret the tale’s meaning (and the older reader may also need some outside help). Borges contributes bold, rustic woodcuts that leave plenty of room for symbolic interpretations. There is a visual lack of continuity between pages, with the described “green” lizard alternatively appearing in black and red shades while its head and number of legs also changes. Like the story itself, the translation challenges readers with sophisticated vocabulary.

A pensive, allegorical fairy tale for readers ready to sit with perplexity. (Picture book. 5-8)

Pub Date: Oct. 22, 2019

ISBN: 978-1-60980-933-1

Page Count: 24

Publisher: Triangle Square Books for Young Readers

Review Posted Online: June 22, 2019

Kirkus Reviews Issue: July 15, 2019

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HELLO, SUN!

Say hello to a relatable and rewarding early reader!

Fun with friends makes for a great day.

Norbit, a salmon-colored worm with a pink kerchief, joyfully greets the day and everyone he encounters. “Hello, friends! It’s time for fun with the sun! Let’s play!” He and his menagerie of forest pals—including the sun, who grows limbs and descends from the sky—exuberantly engage in various forms of physical activity such as jumping, going down a slide, spinning around, and watching the clouds go by. Young readers will readily relate, as these are games that most children are familiar with. As day turns to night, Norbit says farewell to Sun and welcomes Moon with an invitation to continue the fun. Watkins has created a vivid world of movement and merriment. Her illustrations feature bright bursts of color that match the energy of the text, with most sentences ending in an exclamation point. The author/illustrator incorporates many elements that make for an ideal early-reading experience (despite the use of a contraction or two): art free from clutter, text consisting of words with only one or two syllables, and repetition and recurring bits, such as a continued game of hide-and-seek with Sun. Inspired by never-before-seen sketches from the Dr. Seuss Collection archives at the University of California San Diego, this is the first title for Seuss Studios, a new imprint for original stories from “emerging authors and illustrators” who “honor Seuss’s hallmark spirit of creativity and imagination.”

Say hello to a relatable and rewarding early reader! (author's note) (Early reader. 5-8)

Pub Date: Jan. 7, 2025

ISBN: 9780593646212

Page Count: 48

Publisher: Seuss Studios

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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THE TOAD

From the Disgusting Critters series

A light dose of natural history, with occasional “EWWW!” for flavor

Having surveyed worms, spiders, flies, and head lice, Gravel continues her Disgusting Critters series with a quick hop through toad fact and fancy.

The facts are briefly presented in a hand-lettered–style typeface frequently interrupted by visually emphatic interjections (“TOXIN,” “PREY,” “EWWW!”). These are, as usual, paired to simply drawn cartoons with comments and punch lines in dialogue balloons. After casting glances at the common South American ancestor of frogs and toads, and at such exotic species as the Emei mustache toad (“Hey ladies!”), Gravel focuses on the common toad, Bufo bufo. Using feminine pronouns throughout, she describes diet and egg-laying, defense mechanisms, “warts,” development from tadpole to adult, and of course how toads shed and eat their skins. Noting that global warming and habitat destruction have rendered some species endangered or extinct, she closes with a plea and, harking back to those South American origins, an image of an outsized toad, arm in arm with a dark-skinned lad (in a track suit), waving goodbye: “Hasta la vista!”

A light dose of natural history, with occasional “EWWW!” for flavor . (Informational picture book. 5-7)

Pub Date: July 5, 2016

ISBN: 978-1-77049-667-5

Page Count: 32

Publisher: Tundra Books

Review Posted Online: April 12, 2016

Kirkus Reviews Issue: May 1, 2016

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