A solid instruction to a time-honored poetic form, marked by inspired visuals.
A small collection of original haiku, originally published in Catalan, set within evocatively spare illustrations.
Santaeulàlia closes with a short disquisition on the traditional structure and subject matter of Japanese haiku, including useful samples and exercises for readers. His preceding poems, one or two per page and grouped into four seasonal sections beginning with “Autumn,” stick to the syllabic 5-7-5 even in translation and are properly infused with references to time or nature. In general, though he does occasionally wander off script into ambiguity—“I open, unsure, / the drawer that’s full of socks. / End of September”—his poems stick to familiar imagery, like “green stalks of wheat / gently swaying… beneath the white clouds,” water lilies blooming in the shadow of a bridge, and the sound of waves in a seashell. Lozano depicts mostly sketchy figures of racially diverse children in ordinary moments, from trick-or-treating and putting a hat on a snowman to walking a dog or spinning hula hoops. Still, the illustrator’s occasionally slips in a sunbathing mermaid or some other flight of fancy, and his minimally detailed settings create plenty of space for free-floating imaginations.
A solid instruction to a time-honored poetic form, marked by inspired visuals. (Poetry. 6-8)Pub Date: March 3, 2026
ISBN: 9781636551739
Page Count: 72
Publisher: Red Comet Press
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
Amusing, yes. Useful for reading practice, yes, but not necessarily guaranteed to make new readers the “read-i-est.” (Early...
Elephant and Piggie make an appearance to introduce the first in their new series, an egalitarian introduction to superlatives.
Each one of seven blades of talking grass—of a total of eight—discovers that it is superb at something: it’s tallest, curliest, silliest, and so forth. The humor aims to appeal to a broad spectrum. It is slightly disturbing that one being eaten by purple bugs is proud of being the crunchiest, but that will certainly appeal to a slice of the audience. The eighth blade of grass is grappling with a philosophical identity crisis; its name is Walt, a sly reference to Whitman's Leaves of Grass that will go right over the heads of beginning readers but may amuse astute parents or teachers. Tension builds with the approach of a lawn mower; the blades of grass lose their unique features when they are trimmed to equal heights. Mercifully, they are chopped off right above the eyes and can continue their silly banter. Departing from the image of a Whitman-esque free spirit, Walt now discovers he is the neatest. Lots of speech bubbles, repetition, and clear layout make this entry a useful addition to lessons on adjectives and superlatives while delivering a not-so-subtle message that everyone is good at something. Elephant and Piggie's final assertion that “this book is the FUNNIEST” doesn't necessarily make it so, however.
Amusing, yes. Useful for reading practice, yes, but not necessarily guaranteed to make new readers the “read-i-est.” (Early reader. 6-8)Pub Date: Sept. 20, 2016
ISBN: 978-1-4847-2635-8
Page Count: 64
Publisher: Hyperion
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
Cute and brave—gee, Rot’s spud-tacular!
A “scaredy-spud” puts on his brave face.
All “mutant potatoes” love mud. Mud is good for playing games, eating, and even sleeping. But few taters have more tender feelings toward muck than Rot. À la Pete the Cat, Rot celebrates mud in song: “Mud between my toes! / Mud in my nose! / Mud is GREAT / wherever it GOES!” When Rot’s big brother, Snot, tells Rot about the Squirm that lives “deep down in the mushy muck,” his love quickly turns to fear. But he doesn’t give up! Instead, Rot imagines himself in various disguises to work up courage. There’s “Super Spud” (a superhero), “Sir Super Rot, the Brave and Bold” (a superhero-knight), and even “Sir Super Rot the Pigtato” (a, um, superhero-knight-pig-potato). The disguises are one thing, but, deep down, is Rot really brave enough to face the Squirm? Readers wooed by Rot’s charm in Rot: The Cutest in the World (2017) will laugh out loud at this well-paced encore—and it’s not just because of the butt cracks. Clanton creates a winning dynamic, balancing Rot’s earnestness, witty dialogue, and an omniscient, slightly melodramatic narrator. The cartoon illustrations were created using watercolors, colored pencils, digital collage, and—brilliantly—potato stamps. Clanton’s reliance on earth tones makes for some clever, surprising page turns when the palette is broken.
Cute and brave—gee, Rot’s spud-tacular! (Picture book. 6-8)Pub Date: June 16, 2020
ISBN: 978-1-4814-6764-3
Page Count: 40
Publisher: Atheneum
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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