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BEBETTE

An uneven but emotional and thoughtful look at a girl facing big questions.

A seriously ill girl gets philosophical guidance from an imaginary friend in this novel.

Lily Fiore, 12, has been very sick with a blood cancer for three years. Her parents moved the family from a place called Reverie to Salvation, New York, a town built up around a famous children’s hospital; there, Lily receives grueling transfusions and other treatments. As if serious illness wasn’t bad enough, Lily is isolated to avoid contact with people and their germs. Her worried parents try to stay positive and look for signs that prove that their daughter will recover. Throughout the novel, Lily—a thoughtful girl—considers big questions, such as whether life is random, the nature of eternity, and the lessons of her beloved, late grandfather Tony Agnello, who taught her to pray when she was 6: “Always start and end the day being grateful, thanking God, the Universe, the Great Spirit or whatever you want to believe is the ultimate truth.” Lily’s imaginary friend, the kindhearted Bebette, began appearing to Lily in her dreams and waking thoughts after she became ill. They play together and chat, often in “Hide-Land,” a magical kingdom where Lily could fly—until about a year ago, after the family moved. In a long conversation, Bebette explains Hide-Land, what it means to be a “Seeker,” the importance of dreams, and the advisability of having a philosophy of life. As new developments loom—a medication, a friend—Lily goes on a dream journey that helps prepare her for what’s next. Barone (The Clown Don, 2017, etc.) treads on dangerous ground by using the heart-wrenching image of a very sick young girl to win readers’ support. The opening pages do play on their sympathies, as when Lily dreams of children playing ring-around-the-rosie who then turn into horrifying skeletons and ashes. But to Barone’s credit, he doesn’t melodramatically dwell on Lily’s pain, fear, or potential death; instead, he usually addresses such concerns more subtly, as with images of flight. Lily’s father, for example, becomes obsessed with building her a helicopter (or buying a $100,000 do-it-yourself kit) so that she may fly in reality, if not in her dreams. For Lily’s mother, safety is the chief concern, and it’s shown how unfair it is for Lily’s father to make her a villain: “Why do you always make impossible suggestions that I am forced to reject?” she says. Lily, who overhears their argument, is shown to have the insight that what needs fixing is her broken imagination: “She didn’t need a helicopter. She needed to fly without one.” Similarly, Barone shows Lily’s fiercely spirited defense of Bebette and Hide-Land against her mother’s disapproval: “What else do I HAVE right now?” she screams. The book’s proper audience is hard to figure out, though; it’s written from a 12-year-old’s perspective, but Lily is wise beyond her years, and not many tweens will be intrigued by the book’s lengthier, more abstract philosophical discussions.

An uneven but emotional and thoughtful look at a girl facing big questions.

Pub Date: May 18, 2017

ISBN: N/A

Page Count: 144

Publisher: All Small Tales

Review Posted Online: Aug. 9, 2017

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE THINGS THEY CARRIED

It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

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