by Joseph Bruchac & illustrated by Greg Shed ‧ RELEASE DATE: Oct. 1, 2000
Does every child need a book on every subject in which the facts are set within a fictional frame? Young children and unwary adults, too, may be confused by what is fiction and what is fact, despite Bruchac’s excellent historical note (which is well beyond the textual level of the main story). The note is meant for the adult, but the attractive book will catch the young reader with its generous, full, facing-page gouaches, albeit somewhat static in its autumnal colors. The paintings depict the characters portrayed in a text that sketches the life of Squanto (“Tisquantum” before his capture from the Virginia region and his kidnap to Europe). Upon his return to the New World, he landed in a new colony that was to become New England. Bruchac lets Squanto tell his story and the story of the first Thanksgiving in the New World as well as his interactions with the Pilgrims. Important details about what people wore (and didn’t wear) and what was eaten (and what wasn’t) abound. The story is eminently readable, thanks to a clear, widely leaded typeface, but if the notes and glossary are not consulted, confusion about names, tribes, and geography will remain. A map of Squanto’s travels and the homelands of the native groups would be of enormous assistance, as would a pronouncing glossary since some of the terms may be difficult for young—and older—readers. Nonetheless, every teacher and librarian who works with school-age children will want to purchase this less-than-perfect book because it offers two important topics—Native Americans and the first Thanksgiving in the New World—from a noteworthy storyteller. (Fiction. 6-9)
Pub Date: Oct. 1, 2000
ISBN: 0-15-201817-4
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2000
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by Teresa Bateman & illustrated by Jeff Shelly ‧ RELEASE DATE: Sept. 1, 2001
The leaves have changed, Thanksgiving nears—and the canny turkeys of Squawk Valley have decamped, leaving local residents to face the prospect of a birdless holiday. What to do? They decide to lure a bird back by appealing to its vanity, placing a want ad for a model to help sculptors creating turkey art, then “inviting” the bird to dinner. The ploy works, too, for out of the woods struts plump and perky Pete to take on the job. Shelly debuts with brightly hued cartoon scenes featuring pop-eyed country folk and deceptively silly-looking gobblers. Pete may be vain, but he hasn’t lost the wiliness of his wild ancestors; when the townsfolk come for him, he hides amidst a flock of sculpted gobblers—“There were turkeys made of spuds, / there were turkeys made of rope. / There were turkeys made of paper, / there were turkeys made of soap. / The room was full of turkeys / in a wall to wall collage. / For a clever bird like Pete / it was perfect camouflage.” He makes his escape, and is last seen lounging on a turkey-filled tropical beach as the disappointed Squawk Valleyites gather round the table for a main course of . . . shredded wheat. Good for a few giggles. (Picture book. 6-8)
Pub Date: Sept. 1, 2001
ISBN: 1-890817-91-0
Page Count: 40
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2001
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by Teresa Bateman ; illustrated by Jannie Ho
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by Teresa Bateman ; illustrated by Laura Huliska-Beith
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by Teresa Bateman ; illustrated by Stephanie Fizer Coleman
by Gigi Priebe ; illustrated by Daniel Duncan ‧ RELEASE DATE: Jan. 3, 2017
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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