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THE LAKOTA WAY

STORIES AND LESSONS FOR LIVING

Wise words by an authentic representative of Lakota culture—a pleasure to find in a literature dominated by wannabes—add up...

A book of virtues, Sioux style, that puts the works of Allan Bloom and William Bennett to shame.

There’s no finger-wagging in Sicunga Lakota actor/writer Marshall’s elegant blend of homilies, retold folktales, anecdotes, family memoir, and tribal history. As he writes in a rare colorless sentence, the volume is “intended to provide an experiential insight into our tradition, customs, and values . . . our gift to the world, if you will,” and it’s a friendly vade mecum through and through. One of those values is humility, and to illustrate it, the author writes at some length of the legendary Oglala Lakota leader Crazy Horse, who accepted the mantle of leadership without seeking it and went on to engineer the allied Plains tribes’ victory at the Battle of Little Bighorn. For all his accomplishments, Marshall notes, Crazy Horse “was painfully shy and probably spoke in public only twice.” The lesson to be learned? Humility is an essential virtue for a leader, for it “can provide clarity where arrogance makes a cloud.” Another of the cardinal virtues is respect, illustrated with a quiet anecdote about a rancher who, although vigorously opposed to the reintroduction of the wolf in Yellowstone National Park, nevertheless insisted that environmental proponents be accorded their right to speak in favor of the cause. Still another is bravery, “being strong in the face of pain”; the author offers several anecdotes about persistence in the face of overwhelming odds, including pressures from the dominant Anglo society that could easily have erased Lakota culture. Marshall’s views are grounded in a sensibility that refreshingly shuns airy metaphysical rhetoric; when he observes that the Lakota tended not to be materialists, for instance, he explains that this was not due to any innate virtue, but because moving stuff around was impractical for a nomadic people.

Wise words by an authentic representative of Lakota culture—a pleasure to find in a literature dominated by wannabes—add up to a self-help/inspirational book of a high order.

Pub Date: Nov. 1, 2001

ISBN: 0-670-89456-7

Page Count: 256

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2001

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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