Another exceptional entry in the O’Neill corpus.
A sports agent’s pursuit of a soccer prodigy stirs up old family resentments.
O’Neill’s breakthrough novel, Netherland (2008), was partly a paean to cricket and tracked one character’s quest to build an arena in Brooklyn. Here the sport is soccer and the holy grail is an elusive young player who’s somewhere in Africa. None of that is evident as the book opens with a chapter narrated by Lakesha Williams, co-founder of a technical-writing cooperative in Pittsburgh, who faces an HR challenge with a fractious colleague named Mark Wolfe. It’s only in the next chapter, narrated by Mark (he and Lakesha alternate), that we learn of his younger half brother, Geoffrey Anibal, who’s begging Mark for help in locating the prodigy—named Godwin, as if to suggest what a prize he could be. Geoff is a fledgling sports agent and a bit of a con man looking to kick-start a career and a fortune. Mark feels their mother not only neglected him but also cheated him out of an inheritance. O’Neill has a gift for finding humor in emotional stress, and it shines in the two men’s confrontations and in the co-op’s increasingly tense office politics. The semi-siblings bring in a third potential ally for their Godwin campaign, a veteran French soccer agent named Jean-Luc Lefebvre. The three go through twists and turns, culminating in an African odyssey—rendered by Lefebvre in an astonishing marathon of storytelling—that highlights the avarice of sports recruitment and the legacy of colonialism. Along with these banner themes are the overarching questions: How should we treat each other and how do we deal with mistreatment, on any scale? While the Lakesha and Mark narratives both serve these themes, some readers may struggle with how disparate the story lines remain until a late and surprising convergence. But then good stories often rely on delayed gratification.
Another exceptional entry in the O’Neill corpus.Pub Date: June 4, 2024
ISBN: 9780593701324
Page Count: 288
Publisher: Pantheon
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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