Nevertheless, this is a highly accessible account of the evolution of cities, written clearly and with engaging insight. (16...
A respected scholar examines the problems of contemporary cities in a wide-ranging history of urban planning and architecture.
In his interpretive history, Rykwert (Architecture/Univ. of Pennsylvania) attempts to shift the perspective from which cities are viewed. They are not, he argues, the organic outgrowth of un-nameable forces, but rather “a willed artifact, a human construct in which many conscious and unconscious factors played their part.” To this end, he dissects the development of planned and ancient cities from all over the globe, with a particular emphasis on Paris, London, and New York. Rykwert covers a lot of ground; he is as comfortable critiquing neoclassical facades as he is discussing utopian ideals for the city. At each point, however, he convincingly demonstrates the influence of larger schools of thought, and he lays great stress on the interconnected nature of much urban development (emphasizing that each new construction inevitably becomes an influential patch in the larger city quilt). His approach stands in happy contrast to much contemporary public-policy debate—which often considers urban problems (such as traffic and sprawl) as riddles to be solved in a vacuum. It is this misconception that Rykwert most wants to dispel. He is clearly aiming at a general audience—the last chapter is something of a call to arms for civic planning—although some parts of his argument may be too dense for those without an established interest in architecture or urban studies. In addition, the underlying thesis sometimes gets buried beneath the abundance of information offered, and it can be difficult to visualize the places Rykwert describes (especially for those unfamiliar with such far-flung cities as Canberra, Australia; Chandigarh, Pakistan; and Celebration, Florida).
Nevertheless, this is a highly accessible account of the evolution of cities, written clearly and with engaging insight. (16 pp. b&w illustrations)Pub Date: Sept. 19, 2000
ISBN: 0-375-40048-6
Page Count: 304
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2000
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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