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A FATHER'S LIFE

A sincere, often thoughtful (if very crunchy) memoir about fatherhood off the beaten path.

Sarosy shares stories from his life as a father and teacher in this debut memoir on parenthood set from 2015 to 2017 in New Mexico.

On a perfect October evening, the author helped his 4-year-old daughter, Agnes, and her friend Sully rake crisp cottonwood leaves into a pile and jump into them. Another evening, Agnes told her father that she “no longer needs shushes,” the calming sounds he had offered her since she was a baby, causing him to feel the heartbreak of a father whose child is growing older. In the fresh January snow, Sarosy attempted to coax a wayward child back into a group pretending to be horses while pulling a sled. Collected from the two years Sarosy spent helping to run a “forest kindergarten” (an exploration-centered preschool conducted almost entirely outdoors) in northern New Mexico, these short essays explore his life as a father and teacher, both to his daughter and to the other children in his care. In some ways, he was part of a supportive community, living on a commune that shared chores and food among the many residents. In other ways, he was a single father attempting to raise his daughter the right way. Sarosy expertly depicts the rhythms of the natural world: “Cottonwood leaves are heart-shaped, with crenulated edges reminiscent of the course of rivers, or the movement of snakes. Turning gold in the fall, the trees, a cousin of aspens, are radiant and noisy, showering leaves like gold dust whenever a good breeze picks up.” The best essays, like “Catcher in the Rye,” (which contrasts his joy at catching sledding children to keep them from sliding over a river bank with the commune’s inability to discover what is killing their turkeys), make thoughtful arguments about the difficulties of raising children in a dangerous world. Most, however, are simple vignettes that read more as diary entries than fully fleshed-out treatises. Sarosy doesn’t answer all of the questions readers may have about his commune lifestyle, but parents with hippie-ish inclinations may find inspiration in this work about giving one’s children a highly tactile early education surrounded by animals and nature.

A sincere, often thoughtful (if very crunchy) memoir about fatherhood off the beaten path.

Pub Date: March 27, 2019

ISBN: 978-1-09-105650-3

Page Count: 250

Publisher: Time Tunnel Media

Review Posted Online: May 13, 2019

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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