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FOGBOUND

For Klempner (Irreparable Damage, 2002), any point worth making is worth beating to death, and the early stages of this...

A retired judge is lured from his South Carolina hermitage to handle one last appeal for a Death Row inmate.

Sound familiar? Wait, you can predict even more details, as the judge himself instantly succeeds in doing. Hon. August Jorgenson was a celebrated opponent of the death penalty before he stepped down and into the hermit-like oblivion of his Outer Banks lighthouse (no computer, no phone, barely any mail). The advocates pressing for his involvement, director/anchor Jessica Woodruff and her colleagues at the upstart Trial TV network, are more interested in ratings than justice. The accused, Wesley Boyd Davies, is an autistic African-American, a prodigiously gifted artist who can speak barely a word, convicted 15 years ago of raping and killing his 11-year-old neighbor Ilsa Meisner in execution-happy Virginia. A parade of lawyers has run methodically through every last grounds for appeal save one: “Could a competent, sane, non-retarded individual, who was nonetheless incapable of understanding the connection between his criminal act and his execution, be put to death without violating the Eighth Amendment?” It all sounds like pretty recondite stuff until Jorgenson, agreeing to argue the case before the Supreme Court, finds evidence that strongly suggests his client is innocent, with confirmation (though no evidence he can take into court) readily available. The discovery would make Boy Davies’s day if he could understand it, but there’s no joy at Trial TV, where Jorgenson’s claim of actual innocence, which could fatally undermine their crusade against capital punishment, turns the grizzled justice into a potential liability. Wonder what will happen next?

For Klempner (Irreparable Damage, 2002), any point worth making is worth beating to death, and the early stages of this opus, which seem determined to mine the fog for every metaphoric possibility, are slow-going. Once the story kicks in, however, it proceeds to its foreordained conclusion with pleasing brio.

Pub Date: Nov. 24, 2003

ISBN: 0-312-31067-6

Page Count: 224

Publisher: Dunne/Minotaur

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2003

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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THE PEARL

Steinbeck's peculiarly intense simplicity of technique is admirably displayed in this vignette — a simple, tragic tale of Mexican little people, a story retold by the pearl divers of a fishing hamlet until it has the quality of folk legend. A young couple content with the humble living allowed them by the syndicate which controls the sale of the mediocre pearls ordinarily found, find their happiness shattered when their baby boy is stung by a scorpion. They dare brave the terrors of a foreign doctor, only to be turned away when all they can offer in payment is spurned. Then comes the miracle. Kino find a great pearl. The future looks bright again. The baby is responding to the treatment his mother had given. But with the pearl, evil enters the hearts of men:- ambition beyond his station emboldens Kino to turn down the price offered by the dealers- he determines to go to the capital for a better market; the doctor, hearing of the pearl, plants the seed of doubt and superstition, endangering the child's life, so that he may get his rake-off; the neighbors and the strangers turn against Kino, burn his hut, ransack his premises, attack him in the dark — and when he kills, in defense, trail him to the mountain hiding place- and kill the child. Then- and then only- does he concede defeat. In sorrow and humility, he returns with his Juana to the ways of his people; the pearl is thrown into the sea.... A parable, this, with no attempt to add to its simple pattern.

Pub Date: Nov. 24, 1947

ISBN: 0140187383

Page Count: 132

Publisher: Viking

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: Nov. 1, 1947

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