Well-stocked with interviews and evidence—a respectful, understanding portrait of a talented and unique soul who never...
The lost life of a groundbreaking musician and artist, murdered on the (possible) cusp of fame.
When researching his history of the iconic underground rock band Pixies (Fool the World, 2006), Frank came across a haunting song they often covered in concert called “In Heaven, Everything is Fine,” which he remembered vaguely from Eraserhead. He then found out it had been written for David Lynch by some guy named Peter Ivers. The book that Frank creates with freelance writer Buckholtz out of that serendipitous moment pays tribute to a gifted but unknown 20th-century American artist. A precociously talented child of Brookline, Mass., Ivers decamped for Harvard in the mid-’60s. The college was a font of theatrical and comedic energy, a staging ground for a bunch of high-voltage artistic personalities ranging from Stockard Channing to the entire National Lampoon crowd, which would utterly change American comedy in a few short years. A master blues harmonica player who often jammed with Muddy Waters, Ivers used his phenomenal musical talent, quick wit and bright-eyed enthusiasm to make himself indispensable in this fast-track crowd. But fame eluded him. A few albums went nowhere, and a disastrous opening performance for Fleetwood Mac put an end to his dreams of rock stardom. Relocated to Los Angeles, the gregarious Ivers again became a nodal point, this time in the city’s raw punk scene. As the host of a surreal, cult cable-access show, New Wave Theatre, he brought together Lampoon star Doug Kenney with punk agitators Fear and Dead Kennedys, while Hollywood friends Harold Ramis, John Belushi and Lynch came by to groove on the vibe. In 1983, on the verge of achieving some industry recognition, Ivers was found bludgeoned to death in his loft; the killer was never apprehended.
Well-stocked with interviews and evidence—a respectful, understanding portrait of a talented and unique soul who never managed to find a solid perch in the world.Pub Date: Aug. 12, 2008
ISBN: 978-1-4165-5120-1
Page Count: 288
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2008
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
