Effortlessly entertaining yet still heartfelt: the romance of life as an escape artist.
The true adventures of a drag queen named Aqua: her loves, her trials, her goldfish.
Real-life stories from the fringe seem to be the latest trend in memoirs, and Kilmer-Purcell makes a stellar debut in this genre. An art director by day (at an unnamed downtown Manhattan advertising firm that any New Yorker with a grain of sense can identify from geographical clues), by night he was a performer in drag with a distinctive specialty: water-filled fake breasts containing live goldfish. Being the fabulous creature named Aqua was actually work, the author reveals. S/he emceed at club after club, striving to be relentlessly shocking and to create a glittery, glorious, train-wreck persona that forced people to pay attention. Actually, the few hundred bucks in an envelope under the bar helped more than the attention did. Late of a typical Midwestern upbringing, Kilmer-Purcell was new to the city but couldn’t imagine himself anywhere else, no matter how awful his East Village living situation. So it was good that he met Jack and moved into a sparkling white Upper East Side penthouse in the sky. Who would leave New York under those circumstances, even though Jack paid for the place by working as a high-priced hooker? (In the book, he’s never more than one page away from having to head out the door with a backpack full of toys.) The author doesn’t try to pretend that working during the day and spending evenings at the clubs, vodka permanently attached to hand, wasn’t fun. The way he tells it, he also had a strangely perfect relationship with Jack, who didn’t allow his profession—plus attendant addictions and erratic behavior—to keep him from being a near-to-perfect boyfriend. But everything that goes up must come down, and Kilmer-Purcell meticulously records the collapse in a delicate narrative that spares not an ounce of pain but never once aims for contrition.
Effortlessly entertaining yet still heartfelt: the romance of life as an escape artist.Pub Date: Feb. 1, 2006
ISBN: 0-06-081732-1
Page Count: 320
Publisher: Perennial/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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