A diffuse homily on technology and identity that is easy to read and easy to forget.
A Silicon Valley roman à clef with a twist, written by the first employee at Instagram.
Ethan Block is a 24-year-old living in San Francisco circa early 2010, working for a dating app called DateDate. He scrutinizes flagged user photos, manually assessing whether the images violate platform guidelines. Ethan is so immersed in the startup hustle that he basically ignores the rest of his life. “I had tremendous responsibility. Every support email I answered brought us closer to changing the world. And if DateDate changed the world, I changed the world.” When he isn’t reviewing content for The Founder—a nameless, mercurial yuppie—Ethan is brooding over Isabel, a recent ex, or Noma, DateDate’s latest hire. One day at work, while viewing his top DateDate match, Ethan briefly feels himself falling into “a field, with tall, wet grass,” before snapping back to reality, believing his hallucinatory state to be the result of a “bug” in the app. Shortly thereafter, DateDate is acquired by the Corporation, a monolithic tech outfit suffused with faceless executives and preposterously advanced technology. Ethan spends the remainder of the novel pendulously obsessing over his encounter with the “bug” in DateDate. Framed as a retrospective of Ethan’s “existence as a corporate tech worker,” the novel’s intriguing premise of a fictionalized Silicon Valley insider tell-all invites urgent questions about how technology operates in our lives. Unfortunately, Riedel glosses over key leaps in story logic and is light on memorable descriptive language. Riedel evokes the bougie Silicon Valley ecosystem by peppering scenes with cultural references, regional markers, and New Age business-speak but leaves his characters frustratingly underdeveloped. The neutral affect of Ethan’s first-person narration flattens the personal and societal stakes of the story.
A diffuse homily on technology and identity that is easy to read and easy to forget.Pub Date: Jan. 17, 2023
ISBN: 978-1-250-81379-4
Page Count: 288
Publisher: Henry Holt
Review Posted Online: Oct. 25, 2022
Kirkus Reviews Issue: Nov. 15, 2022
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.
Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.
Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.
Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.Pub Date: Sept. 23, 2025
ISBN: 9780593972700
Page Count: 1040
Publisher: Del Rey
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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