A pulpy exploration of the monsters we make and a love letter to cult-classic frights.
In this homage to classic horror, a reporter is forced to cover the remake of an infamous 1993 film she starred in as a child.
The last time Laura Warren was in Los Angeles, she was a young kid going by another name and reluctantly starring in a slasher flick called The Guesthouse. The intervening years saw eight of the movie's cast and crew members come to terrible ends. Now living in London, she's been strong-armed by her editor into flying west to write about a new miniseries based on the original film. Why is he so adamant about making her write a puff piece anyone could do? Anyway, Laura is determined to stay in LA no longer than the 48 hours it will take to run through a few PR–sanctioned interviews. As if on cue, the body count starts to rise on set, and Laura becomes certain that somebody involved in the production knows who she is—knows and has been waiting for her. The question becomes: Is the show truly cursed, or is it Laura’s past doing the haunting? To figure it out, she teams up with her struggling-actress sister and the psychic hired by the young director in charge of the remake. The mystery is a compelling one, the details unsettling from the jump. Adding to the cult-classic ambiance are the documents interspersed throughout, ranging from social media posts to script pages. These add much-needed texture when the choices Laura and others make begin to feel oversimplified. If the characterizations aren’t always consistent, the nods to movie magic and monsters certainly are. And if the relationships seem to exist only to serve the plot, it’s because the heart of the story belongs to genre. After all, as a fellow child star reminds Laura, “Horror fans are for life.”
A pulpy exploration of the monsters we make and a love letter to cult-classic frights.Pub Date: July 11, 2023
ISBN: 9780593544662
Page Count: 368
Publisher: Putnam
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
A standout in the series.
The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.
“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.
A standout in the series.Pub Date: Sept. 9, 2025
ISBN: 9780385546898
Page Count: 688
Publisher: Doubleday
Review Posted Online: Sept. 9, 2025
Kirkus Reviews Issue: Nov. 1, 2025
SEEN & HEARD
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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