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THE INVISIBLE ALPHABET

Make sure to see this A+ alphabet book.

Sights unseen define this ABC book.

A is for Air / B is for Bare // C is for Clear.” These are the first three lines of text on the first two double-page spreads of this clever abecedary. Corresponding illustrations show, respectively: an open window with curtains blowing in the breeze; a child getting into a bathtub, naked backside toward readers; and fish swimming in an aquarium. Ensuing pages continue to use text to name what is invisible, with art somehow evoking the unseen. City-dwelling children will understand the tableau for “D is for delayed,” in which a group of commuters stand at a bus stop, drifting autumn leaves underscoring the absence of the bus; evoking the other side of that particular experience, “J is for Just missed it” depicts a different set of commuters hustling toward the edge of the page, a cloud of exhaust and zoom lines indicating the departed bus. One page, “N is for Nothing,” is utterly empty except for the text, which recalls the “Goodnight nobody” page from Margaret Wise Brown and Clement Hurd’s famed Goodnight Moon. Visual connections among some spreads—such as the bus-stop scenes—lend cohesion to the book as a whole, and Barrett’s vigorously crosshatched pen-and-ink art with orange highlights has an appropriately minimalist look even in crowded spreads. Humans depicted are racially diverse. (This book was reviewed digitally with 10.3-by-16-inch double-page spreads viewed at 37% of actual size.)

Make sure to see this A+ alphabet book. (Picture book. 3-7)

Pub Date: Sept. 22, 2020

ISBN: 978-0-593-22277-5

Page Count: 40

Publisher: Rise x Penguin Workshop

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THE CRAYONS GO BACK TO SCHOOL

Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings.

The Crayons head back to class in this latest series entry.

Daywalt’s expository text lays out the basics as various Crayons wave goodbye to the beach, choose a first-day outfit, greet old friends, and make new ones. As in previous outings, the perennially droll illustrations and hand-lettered Crayon-speak drive the humor. The ever wrapperless Peach, opining, “What am I going to wear?” surveys three options: top hat and tails, a chef’s toque and apron, and a Santa suit. New friends Chunky Toddler Crayon (who’s missing a bite-sized bit of their blue point) and Husky Toddler Crayon speculate excitedly on their common last name: “I wonder if we’re related!” White Crayon, all but disappearing against the page’s copious white space, sits cross-legged reading a copy of H.G. Wells’ The Invisible Man. And Yellow and Orange, notable for their previous existential argument about the color of the sun, find agreement in science class: Jupiter, clearly, is yellow AND orange. Everybody’s excited about art class—“Even if they make a mess. Actually…ESPECIALLY if they make a mess!” Here, a spread of crayoned doodles of butterflies, hearts, and stars is followed by one with fulsome scribbles. Fans of previous outings will spot cameos from Glow in the Dark and yellow-caped Esteban (the Crayon formerly known as Pea Green). (This book was reviewed digitally.)

Nothing new here but a nonetheless congenial matriculant in publishing’s autumnal rite of back-to-school offerings. (Picture book. 4-6)

Pub Date: May 16, 2023

ISBN: 9780593621110

Page Count: 32

Publisher: Philomel

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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