Make sure to see this A+ alphabet book.
Sights unseen define this ABC book.
“A is for Air / B is for Bare // C is for Clear.” These are the first three lines of text on the first two double-page spreads of this clever abecedary. Corresponding illustrations show, respectively: an open window with curtains blowing in the breeze; a child getting into a bathtub, naked backside toward readers; and fish swimming in an aquarium. Ensuing pages continue to use text to name what is invisible, with art somehow evoking the unseen. City-dwelling children will understand the tableau for “D is for delayed,” in which a group of commuters stand at a bus stop, drifting autumn leaves underscoring the absence of the bus; evoking the other side of that particular experience, “J is for Just missed it” depicts a different set of commuters hustling toward the edge of the page, a cloud of exhaust and zoom lines indicating the departed bus. One page, “N is for Nothing,” is utterly empty except for the text, which recalls the “Goodnight nobody” page from Margaret Wise Brown and Clement Hurd’s famed Goodnight Moon. Visual connections among some spreads—such as the bus-stop scenes—lend cohesion to the book as a whole, and Barrett’s vigorously crosshatched pen-and-ink art with orange highlights has an appropriately minimalist look even in crowded spreads. Humans depicted are racially diverse. (This book was reviewed digitally with 10.3-by-16-inch double-page spreads viewed at 37% of actual size.)
Make sure to see this A+ alphabet book. (Picture book. 3-7)Pub Date: Sept. 22, 2020
ISBN: 978-0-593-22277-5
Page Count: 40
Publisher: Rise x Penguin Workshop
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
BOOK REVIEW
A visual feast of cityscape shapes.
Rhyming text and brilliant multimedia collage combine to follow a girl’s journey through her beloved city.
Part concept book, part love letter to urban beauty, Murray and Collier’s collaboration highlights an African-American girl’s observations about the many shapes she sees in and around her city. In his illustrator’s note, Collier tells readers that he modeled the little girl on his own daughter, and Murray’s author’s note shares that she was inspired to write her rhyming verse by her many walks around New York City. The text’s pattern first highlights many different items that share a given shape and then names that shape before moving on to another list. A postal truck, a pretzel cart, "and stacks of brown packages hauled up the stairs" are all squares, for instance. Collier fills every page, allowing art to take up entire double-page spreads, and his distinctive collage technique is particularly well-suited to highlighting the shapes named by the text. He also pushes well beyond merely visually reiterating the items the text lists, and the result is a seamless interdependence of art and text that will allow readers to find the named items while also providing ample visual interest to reward poring over the illustrations.
A visual feast of cityscape shapes. (Picture book. 3-6)Pub Date: June 21, 2016
ISBN: 978-0-316-37092-9
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
Lovely to look at; frustratingly inaccurate.
A brother and sister walk through woods and town, acknowledging autumn and welcoming winter in this picture book.
Expanding on Goodbye Summer, Hello Autumn (2016), author/illustrator Pak continues the theme, this time with a black-haired, brown-skinned boy and girl who ramble through woods, town, and countryside as they converse with the trees, birds, horses, sheep, deer, snow, and wind, saying goodbye to fall and hello to winter. The digitally enhanced watercolor-and-pencil illustrations are as quiet and graceful as the slow passage of the seasons. Diversity, both ethnically and culturally (a Kwanzaa kinara, a Jewish menorah, and a star-topped Christmas tree are all included in the illustrative details, as are various colors of people), is well-represented. But many of the nature facts in the text are inaccurate. Cardinals don’t “fly far, far south,” daisies of the type illustrated do not bloom in the late autumn, and autumn evenings (as opposed to nights) are shorter, not longer. Such lapses make the whole story suffer. Factual errors aside, the story flows well—its cadence is serene and accepting, with a pleasant, otherworldly quality that is reinforced by the soft double-spread illustrations.
Lovely to look at; frustratingly inaccurate. (Picture book. 3-6)Pub Date: Sept. 19, 2017
ISBN: 978-1-62779-416-9
Page Count: 32
Publisher: Godwin Books
Review Posted Online: June 4, 2017
Kirkus Reviews Issue: June 15, 2017
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