A deeply felt, passion-filled, dual-timeline love story.
A New York City brownstone brings together a pair during two different stages of their lives.
When her TV show gets canceled, Los Angeles based working actor June Wood finds herself between gigs hoping to make ends meet. An intriguing but vague email implores her to visit New York City with news about the brownstone she used to rent. She returns to her former home and is shocked to learn that not only has she inherited the multimillion dollar place from her former landlord, but she co-owns it with her old roommate, Adam Harper, a man she lived with for six years but hasn’t seen since she left five years ago. It’ll take a month for all the paperwork to get in order, and, in the meantime, June and Adam are once again living under the same roof. If there’s any hope of repairing their relationship, they’ll have to look back at the events that led them to this point and confront their unresolved feelings. The narrative jumps between the present and past, both through June’s engaging first-person narrative. In the past timeline, June dreams of being on Broadway and Adam aspires to become a great chef. They barely know each other when they become roommates but over time become best friends with the possibility of more constantly lingering as they grow together and support each other through the highs and lows of careers, family, and other relationships. This slow-burn romance is propelled by the question of what happened to tear them apart, and while that reveal doesn’t entirely land, all the small, tender moments between June and Adam are what will captivate readers. Debut author Richard crafts emotionally complex characters full of yearning, and the lush New York setting adds extra appeal.
A deeply felt, passion-filled, dual-timeline love story.Pub Date: Sept. 30, 2025
ISBN: 9798217093656
Page Count: 432
Publisher: Dell
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
A romance that could have used significant rethinking.
Childhood friends, almost-sweethearts, a misunderstanding, and a funeral.
Blair Lang and Declan Renshaw were best friends who went on one date before a disagreement and an accident sent them in different directions after high school. Now Blair is back from college to be with her great-aunt Lottie, who’s dying, and to support her single mother in small-town Seabrook, California. Finding a job at a coffee shop puts her in the path of her former boyfriend, since he turns out to be its owner. Can the two get past their mistakes? The novel uses the popular second-chance romance trope, but Pham fails to energize it through interesting characters. Blair’s grief over her great-aunt’s death and her plan to help her mother are overshadowed by internal monologues about her feelings, the way her friends aren’t paying attention to her, and the novel she plans to write. Declan’s distinguishing characteristic, besides being a former high school quarterback, is his skill at building birdhouses. Unsurprisingly, the couple doesn’t have much chemistry; when they embrace, their “bodies meld like…memory foam.” The wooden characters, unusual word choices (“conglomerate of pedestrians,” “litany of plants”), and odd turns of phrase (“tension melting from his eyebrows like butter melting in a warm pan”) are almost enough to obscure the lack of plot development. What passes for stakes is easily defused when Blair comes into an inheritance that saves her from working as a consultant at Ernst & Young in New York—so she can write a romance novel.
A romance that could have used significant rethinking.Pub Date: March 3, 2026
ISBN: 9781668095188
Page Count: 320
Publisher: Atria
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
Rowell delivers the requisite happily-ever-after, but it doesn’t quite satisfy.
A second-chance romance from the author of Slow Dance (2024) and the Simon Snow Trilogy.
Cherry is fat. There are other things to know about Cherry, but this fact is essential to how she sees herself and—she knows—essential to how other people see her. And now that her husband’s hugely popular webcomic is a movie, she not only has to endure people confusing her with the character that’s based on her, but also the knowledge that the actor playing this character is wearing a fat suit. This pain is exacerbated by the fact that her marriage is over. It’s at this rock-bottom moment that her college crush reenters her life…This is a book about being fat, and Rowell does a great job of depicting what internalized fatphobia looks like. “Cherry was so used to thinking about being fat, she hardly even noticed that she was doing it. She was so used to thinking about being fat, she never thought about it.” Observations like this will resonate with a lot of readers, as will Cherry’s complicated feelings about weight-loss drugs. This is also a romance and, as a romance, it’s kind of all over the place. It’s totally realistic for Cherry to wonder if Russ—the guy from college—never pursued her because of her weight. This is a conflict that feels true. What’s less believable is the way he reacts when he sees a trailer for Cherry’s husband’s movie. It’s clear that he didn’t get that this movie was going to be a blockbuster. In short, Russ freaks out, and it’s not at all clear why. As for Cherry’s husband, the way she feels about him at the beginning of the book is totally disconnected from the way she feels about him in the novel’s latter half. It’s normal to have complicated feelings about the end of a marriage, of course, but there’s no emotional throughline to help the reader understand why Cherry’s feelings change so dramatically.
Rowell delivers the requisite happily-ever-after, but it doesn’t quite satisfy.Pub Date: April 14, 2026
ISBN: 9780063380264
Page Count: 416
Publisher: Morrow/HarperCollins
Review Posted Online: Dec. 20, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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