A modern Tuck Everlasting with a thriller twist: fun, in spite of its improbabilities.
Nearly 100 years after accidentally drinking from the Fountain of Youth, perpetually 17-year-old Emma investigates a series of murders.
Through flashbacks, readers learn how inadvertently drinking from the Fountain of Youth in 1916 eventually led to the tragic murders of Emma’s and Charlie’s families, both white, at the hands of the congregation of the Church of Light. While the two flee for their lives, Charlie decides separation is the safer choice and deliberately breaks Emma’s heart to convince her to leave him. Both soon regret the decision, but without a plan or modern modes of communication, they are unable to reunite. Flash-forward to present-day Dallas, where Emma, still searching for Charlie, finds herself also investigating a string of murdered girls who she believes are also victims of the Church of Light. After a neighboring girl is kidnapped, Emma hopes to rescue her by using herself as bait—a decision that ultimately leads to revelations about the day when she and Charlie gained their eternal youth. Interspersed throughout Emma’s mystery story are chapters dedicated to recounting how Charlie has spent his life; these effectively capture the loneliness, isolation, and even regret that accompanies the secrecy required by eternal youth. The novel’s resolution is awfully quick, but the storylines’ convergence is largely satisfying.
A modern Tuck Everlasting with a thriller twist: fun, in spite of its improbabilities. (Paranormal mystery. 12-16)Pub Date: May 17, 2016
ISBN: 978-1-61695-588-5
Page Count: 256
Publisher: Soho Teen
Review Posted Online: Feb. 16, 2016
Kirkus Reviews Issue: March 1, 2016
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway.
Stephanie and her family move into an old mansion rumored to have been put under a curse after a turn-of-the-20th-century rich boy meddled with an Egyptian mummy.
After her young sister complains about strange events, high school student Stephanie befriends Lucas, a geeky, good-looking boy, and meets the other members of SPOoKy, the Scientific Paranormal Organization of Kentucky: Charlotte, Wes, and Patrick. Stephanie learns the history of her new home from Lucas, who attracts her romantic attention, but the usually levelheaded girl is soon drawn to Erik, the handsome phantom who first comes to her in dreams. The story is told in chapters narrated by Stephanie, Lucas, and Zedok, whose identity is initially a source of confusion to Stephanie. Zedok appears wearing different masks, “personified slivers” of his soul, representing states of mind such as Wrath, Madness, and Valor. Meanwhile, until gifted singer Stephanie came along and he could write songs for her, Erik’s dreams were thwarted; he wanted to be a composer but his family expected him to become a doctor. In the gothic horror tradition, Erik’s full background and connection with Zedok are slowly revealed. Romantic dream sequences are lush and swoon-y, but the long, drawn-out battle to end the curse, aided by a celebrity clairvoyant, is tedious, and the constant introduction of Erik’s different personae is confusing. Most characters default to White; Patrick is Black.
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway. (Horror. 13-16)Pub Date: Aug. 17, 2021
ISBN: 978-0-593-11604-3
Page Count: 528
Publisher: Viking
Review Posted Online: May 26, 2021
Kirkus Reviews Issue: June 15, 2021
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
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