Above average, but definitely not the "Best."
An eclectic anthology of 55 essays chosen by Oates (Blonde, p. 11, etc.) comprising a generous selection of less known but deserving work from mostly big-name writers.
The collection is intended to be a greatest-hits volume of the 20th-century American essay and to stand as a companion to The Best American Essays franchise, which has been published annually since 1986. The essays included here cover the years from 1901 to 1997 and are arranged chronologically according to their original date of publication. In her introduction, Oates explains her ambitions as an editor: she tackled the project from the point of view of a literary conservator, trying to preserve worthy essays from the forgetfulness of history and vagaries of literary fashion. In order to make the task of selecting from a century's worth of writing manageable, Oates set out strict criteria: eliminating the work of writers who did not publish at least one volume of nonfiction during their career (thus ousting any one-hit-wonders), as well as those who wrote journalism or reportage. In this regard Oates self-consciously avoids creating a chronicle of the past century and, instead, collects an array of emotional journeys and obsessions. According to this formula, essays about of race and identity easily come to dominate: Martin Luther King's "Letter from Birmingham Jail," James Baldwin's "Notes of a Native Son," and Maya Angelou's "I Know Why the Caged Bird Sings" stand out. A further eight essays also take race as their topic. Other major themes include science and nature, social change, artistic endeavor, and the struggle against nostalgia. Browsing the titles indicates that only a few touchstone essays are included, although most selections have been extracted from nonfiction books whose titles are better known. As a whole, the anthology does not deliver on the grandiose promise of its title. Instead, it delivers the "Best" essays not frequently anthologized. With so few surprises and most of the selections coming from the usual suspects, the overall effect is underwhelming.
Above average, but definitely not the "Best."Pub Date: Sept. 22, 2000
ISBN: 0618155872
Page Count: 624
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2000
Schulze’s courageous story fills a major gap in the story of the world’s greatest conflict, and she deserves a wide audience...
This compelling memoir of a German girl’s bitter, frightening life reveals the horrors visited upon an average family caught between two of the most cruel dictators in history.
Amidst the copious histories of Hitler and Stalin, historians have often neglected the horrific tales of innocent girls like Schulze, who early in World War II survived Nazi occupation, then was forced to hide in a secret attic for months at war’s end to escape sexual attacks from the invading rampages of the Russians. The Russian soldiers pillaged her tiny village of Doelitz, where women scrubbed their faces with ashes and dirt to make themselves unappealing to the Red Army’s serial rapists. With professional writer Collier’s help, Schulze tells a ground-level story that is at once haunting and shocking in its narration of ordinary, peaceful lives shattered forever by war. The small, poignant touches are riveting–the family’s favorite horse being dragged away to haul artillery; their argument about whether to follow Nazi orders to display Hitler’s portrait. Her inspiring story concludes with the long, harrowing struggle to escape to West Germany, followed by a months-long wait for a berth on a ship bound for America. Her first tastes of ice cream and pineapple aboard the ship are a fitting climax to a tale of never-ending stress and fear–and ultimately, redemption.
Schulze’s courageous story fills a major gap in the story of the world’s greatest conflict, and she deserves a wide audience of all ages.Pub Date: Oct. 3, 2005
ISBN: 0-58348-072-2
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
A daunting but worthwhile journey through the material and divine realms of our universe.
An intriguing if sometimes ponderous examination of man's place in the universe.
Bartow creates a systematic philosophic framework for integrating concepts from diverse disciplines, such as astrology, psychology, metaphysics, theology, eastern and western mysticism and quantum physics. The author uses complex–and often unintelligible–diagrams to create a visual representation of the corporeal and spiritual universe, building layers of complexity that illustrate the dynamic interaction of mind, matter, energy and spirituality. He divides man’s perception of the universe into objective and subjective categories with distinctive subcategories, using piano keys as the primary metaphor–the black keys represent the objective planes, embodied in the concrete laws of science, and the white keys represent the subjective interior planes. The author makes frequent use of the philosophies from such ancient traditions as the Kabbalah, Buddhism, the teachings of Don Juan and Tibetan thought. The massive scope of Bartow’s vision eventually becomes overwhelming, and the esoteric nature of the study will deter casual readers. Ultimately, however, the text will prove thought-provoking and rewarding for the diligent.
A daunting but worthwhile journey through the material and divine realms of our universe.Pub Date: N/A
ISBN: 0-9760863-0-1
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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