A battered child grows up to become a homicidal nurse's aide—in this depressing, minor addition to Oates's oeuvre. When Kathleen Hennessy's younger sister, Nola, is murdered, 12-year-old Kathleen is removed at once from the Detroit motel room where both girls were regularly beaten by their unemployed father and abandoned by their mother, a beauty-parlor worker. Kathleen's father is imprisoned for Nola's murder, while Kathleen is placed in a dreary foster home where her half-forgotten memories of having pounded Nola's head against the edge of a mattress frame to stop her crying are buried beneath a passive, shy, obedient persona that appeals to her harried guardian. Some time later, after Kathleen has silently suffered repeated sexual abuse at the hands of her foster brother, the house in which she lives burns down "accidentally," killing several inhabitants—but no one thinks to suspect the overweight, shyly smiling teen-aged girl of wrongdoing. Kathleen grows into a self-effacing young nurse's aide benignly ignored by all, suppressing her unconscious rage beneath the comforting rituals of hospital sanitation, the solace of religion, and dreams of love. But her luck remains dismal: the drug-addicted young intern whom Kathleen adores impregnates and then abandons her. Kathleen performs an abortion on herself, and a short time later a number of her hospital patients unexpectedly die. Still unsuspected, Kathleen opts to leave while she can for a new job at a suburban convalescent home, where in the decades to come she'll continue to pursue her strange career. A grim tale—little more than a character sketch—and not among Oates's more memorable accomplishments.
Pub Date: April 30, 1991
ISBN: 0-8112-1171-1
Page Count: 128
Publisher: New Directions
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1991
A luminous novel about the deep value of telling stories.
Two strangers are unknowingly connected by a rare manuscript.
Maxwell Moreau, born to a pirate father and a Dominican immigrant mother in New Orleans in 1920, has a childhood in which he is surrounded by his parents’ stories. His mother, Adana Moreau, learns to read in English with Maxwell at her side. She writes a well-received science fiction novel, Lost City, but becomes gravely ill before finishing the sequel, A Model Earth; she and Maxwell burn the manuscript before she dies . The pirate travels north in search of work, and Maxwell is effectively an orphan when his father fails to meet him as planned in Chicago. Nearly 80 years later, a man named Saul is grieving the death of his grandfather, his only family after his parents were killed in a terrorist attack in Israel. Shortly before dying, his grandfather had asked Saul to mail a package for him to someone named Maxwell Moreau at a university in Chile. When the package is returned some time later, Saul takes on the task of finding Maxwell, now a well-known physicist who theorizes about parallel universes, to give him the papers inside—the same manuscript Adana Moreau had burned so many years earlier—and fulfill his grandfather’s last request. This search takes Saul and his friend Javier to New Orleans just after Hurricane Katrina, and the two reflect on their friendship and Saul’s grandfather’s work as a historian as Javier documents the extensive loss of life in an effort to bear witness. Zapata’s debut novel is a wonderful merging of adventure with thoughtful but urgent meditations on time, history, and surviving tragedy. The characters are richly drawn, and the prose is striking: “They drove east, back the way they had come, and the road seemed to take on an extra-temporal quality, like they were traveling backward in time. We’re already meeting ourselves coming the other way, he thought as the Cadillac sped on and on and on.”
A luminous novel about the deep value of telling stories.Pub Date: Feb. 4, 2020
ISBN: 978-1-335-01012-4
Page Count: 272
Publisher: Hanover Square Press
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
There are more than enough quotable lines to fill a couple of reviews.
Berg’s debut is set in an age when telephones were novel.
If you want to make a phone call in 1952, you’ll lift the receiver and hear an operator say “Number, please.” And if you live in Wooster, Ohio, that operator might well be Vivian Dalton. She’ll listen in on your conversation even though she knows she shouldn’t, always hoping to hear “something scandalous.” Her Pawpy had advised “Just don’t get caught,” but her dead granny’s advice (ignored) was better: “Be careful what you wish for.” Vivian wishes for gossip about rich Betty Miller, whose “life was always perfectly in place,” but Betty has a delicious secret about Edward Dalton that’s sure to ruin Vivian’s life. Vivian never finished high school and frets that her bright teenage daughter, Charlotte, will exceed her in life. The narrative is sprinkled with dictionary definitions of fancy words Vivian doesn’t know, like “privy” and “myriad.” She thinks the school has assigned pornography to Charlotte when she sees The Myth of Sisyphus and thinks it’s about syphilis. Meanwhile, Betty is ever so full of herself because her father owns a bank and the ladies of Wooster always accept her written invitations. She briefly considers calling her Christmas party “Savior’s Celebratory Soirée.” Then she hosts a special afternoon tea to reveal the news about Vivian’s husband to a group of ladies “well versed in the art of displaying false concern.” Berg’s storytelling is warm, sympathetic, and witty—Vivian's "fear had eaten her common sense like it was a casserole,” and her “rage had melted and cooled a little into a hardened shell of shame and humiliation.” Vivian hires a private investigator to look into her husband’s past and consequently deletes chocolate from all her recipes. (Well, it makes sense to her.)
There are more than enough quotable lines to fill a couple of reviews.Pub Date: March 10, 2020
ISBN: 978-0-06-297894-3
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: Jan. 25, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
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