Like a snow day, a special treat with broad appeal.
A child yearns for the snow day that will keep her mother, an airplane pilot, home.
Krommes' inimitable scratchboard illustrations play with perspective and point of view as they flesh out Sidman’s short poem, written in the form of an invocation. Washed with orange, tan, and icy blue, they open and close with landscapes reminiscent of Virginia Lee Burton’s work. Moving in on the scene, readers see street traffic and park pigeons. Fallen leaves indicate the season. Mother, child, and dog leave the park, passing a bakery. Three wordless spreads set up the story; on the fourth, the poem begins. It’s set with just a few words on the double-page images; some spreads need no words. The pacing is perfect. Careful readers will relish the details and concoct back stories of their own. Overnight, the pilot tiptoes away, just as snowflakes begin to fall. Gradually, park, roads, and cars are covered with snow. Finally she gets to the airport. No planes will fly. Instead, mother returns to a snow-covered world, where all three can breakfast together, toboggan in the park, and celebrate with hot chocolate and cupcakes. A snow day dream! The straight-haired mother and child are nearly genderless, and they are washed with the same peach color as the leaves. On the final endpapers, elaborate blue-tinged crystals float over the quiet snow-covered town.
Like a snow day, a special treat with broad appeal. (Picture book. 4-8)Pub Date: Oct. 4, 2016
ISBN: 978-0-547-97917-5
Page Count: 48
Publisher: HMH Books
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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