Four teenagers lost in a Florida cave for 24 hours spill their souls in this wordy, unevenly paced adventure. Off with his best friend, Randy, to explore a reported cave in the nearby national forest, Neil grudgingly allows his brother, David, and David's best friend, Terry, to tag along. They don't know what they're doing—Terry doesn't even bring a flashlight—and are soon lost, with scant supplies and no idea what to do next. From the beginning, it's obvious that no one (reader included) is going to have any fun; David and Randy have uncontrollable tempers and are at each other's throats from the first scene, Terry whines that they should never have let a jerk like him come along, and Neil hides his claustrophobia behind a cold, silent facade. All four eventually divulge secrets, but the revelations are either anticlimactic or undeveloped tangents. The characters speak in either sour-sounding put-downs or artificially coherent psychological insights, and aside from a sudden encounter with a rattlesnake there's little action or dramatic tension in the plot until the climax. In the end, Neil learns how to be more open about his feelings, and David, in convenient atonement for the fire he caused two years ago that resulted in the death of their younger sister, gets to rescue everyone. More confessional fiction than a survival story, this is likely to disappoint readers expecting another riveter like Sweeney's Shadow (1994). (Fiction. 12+)
Pub Date: Sept. 1, 1996
ISBN: 0-385-32211-9
Page Count: 228
Publisher: Delacorte
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1996
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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