A tenderly observant set of tales.
A debut collection of six short stories explores the power of family bonds.
“I hope to highlight some of the many ways in which family can shape us, or even break us,” notes Rosen in her foreword to this brief but memorable compilation. It opens with the title story, in which Maggie Duschene watches a game at Chicago’s Wrigley Field with her uninterested fiance, Cory, and reflects on how baseball was the glue that kept her family together when she was young; a conversation with a neighboring fan leads to a painful revelation. In “The New Ingredient,” a divorced father who hasn’t seen his daughter, Violet, in almost three months is surprised when the 8-year-old brings along an unexpected and unconventional friend on a visit, while in “For What It’s Worth,” a visit to the grave of the narrator’s centenarian grandmother, Ruth, prompts an exploration of their Jewish Russian roots. The collection closes with “ ‘Don’t look too good or talk too wise,’ ” about a student trying to acclimatize to college life. The strongest story is “Empty Cities”; its opening, in which Thomas, a troubled father, watches the world pass by while sitting on a bench, showcases Rosen’s prose at its most sensitive and attentive: “He had slipped off his right shoe when no one on the platform was looking and began tracing the ground with the ball of his foot. Side to side. Forward and back. It reminded him of when he was a child….” It’s a fine example of how the author slips fluidly between characters’ inner and outer worlds. Overall, Rosen proves to be a versatile writer, and “Partition,” about an office worker who finds sanctuary in a restroom stall, provides a master class in writing in the second person, skillfully and engagingly blurring the line between narrator and reader: “In the midst of a brain-crushing, sanity-shrinking workday you’re always able to come in here, sit, and think for a moment.”
A tenderly observant set of tales.Pub Date: Dec. 19, 2021
ISBN: 979-8-7871-3818-4
Page Count: 114
Publisher: Self
Review Posted Online: Feb. 28, 2022
Kirkus Reviews Issue: April 15, 2022
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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