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NO ONE KNOWS

The unreliable female narrator is all the rage, and Aubrey Hamilton is up there with the slipperiest of them all.

A woman begins to question everything she thought she knew when signs indicate that her husband, recently declared officially dead, is actually alive.

For five years, Aubrey Hamilton has struggled to reconcile the facts about the last time she saw her husband, Josh, with his disappearance. They were a happy couple, childhood sweethearts despite his disapproving mother, and everything seemed fine when they parted ways at a friend’s bachelor party. And then Josh was gone. He left behind only a sinister puddle of blood at their Nashville home, which led Aubrey to be tried for his murder—though she was acquitted, since it’s hard to convict without a corpse. Now he’s been declared legally dead, and Aubrey—back at her job at a Montessori school and, like so many crime-fiction heroines, trying to literally run away from her past by, um, running—is dolefully reconciled to the fact that her husband is gone. She doesn’t even want the $5 million life insurance policy he took out, naming her as his beneficiary. (The amount of that possible payout is so large that readers’ ears should perk up.) Then she meets Chase Boden, a man with an uncanny resemblance to Josh, from his mannerisms to the way he walks, and Aubrey starts to wonder if Josh not only wasn't who he seemed to be, but might actually be alive. Ellison (What Lies Behind, 2015, etc.) goes to great lengths to explore the story from multiple points of view, which both expands the complex universe she’s built and, unfortunately, deflates the suspense by spelling out that which the reader would rather deduce.

The unreliable female narrator is all the rage, and Aubrey Hamilton is up there with the slipperiest of them all.

Pub Date: March 22, 2016

ISBN: 978-1-5011-1847-0

Page Count: 384

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 9, 2016

Kirkus Reviews Issue: Jan. 15, 2016

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MISSING PIECES

Light on surprises and character development, this tepid thriller will have most astute readers correctly guessing the...

An accident forces a man to return to his small Iowa hometown and confront violent secrets from his past, ones he’s kept hidden from his wife.

Sarah Quinlan thought she knew everything about her husband, Jack: an accident killed his parents when he was 15 so he left Penny Gate, Iowa, and has only been back once. But when the couple gets news that Jack’s beloved aunt Julia, who raised Jack and his younger sister, Amy, after their parents’ deaths, is gravely injured in a fall, the prodigal son returns. Gudenkauf (Little Mercies, 2014, etc.) makes it clear from the start that nothing should be taken at face value, not Jack’s story about his parents (his mother was actually bludgeoned to death, and his father, now MIA, was the prime suspect) or the seemingly idyllic small-town atmosphere. This, however, does little to heighten the suspense as advice columnist Sarah takes on the role of amateur detective in sniffing out Quinlan family secrets past and present. Through her we meet Jack’s terse cousin Dean and his too-perfect wife, Celia, along with Julia’s husband, Hal, who became like a father to Jack in the wake of his own family tragedy, and Amy, who couldn’t be more stereotypically “troubled.” Jack and Amy’s tragic past, which becomes the central mystery of the plot once Sarah figures out that her husband has been lying to her for two decades, is tied to Julia’s not-so-accidental fall, but only for the purposes of a neatly sewn-up plot.

Light on surprises and character development, this tepid thriller will have most astute readers correctly guessing the ending halfway through.

Pub Date: Feb. 2, 2016

ISBN: 978-0-7783-1865-1

Page Count: 288

Publisher: Harlequin MIRA

Review Posted Online: Nov. 18, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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SEA OF GREED

Fast-paced, imaginative fun. May Kurt and crew survive, as there’s a good series to continue.

The latest maritime thriller in the NUMA series starring Kurt Austin (The Rising Sea, 2018, etc.)

In 1968, the French submarine Minerve sinks without a trace in the Mediterranean. In the present day, an oil rig explodes in the Gulf of Mexico, killing and badly injuring many workers. Enter Kurt Austin, head of Special Projects at the National Underwater Marine Agency. Kurt leads a team that assists in marine emergencies, so they respond to the Mayday call and quickly find a stream of underwater flame—escaping gas is burning in the water, down “as far as the eye could see.” It’s a fire that needs no oxygen, a phenomenon Kurt’s team has never seen. NUMA calls the disaster clear-cut sabotage, and Kurt’s assignment is to find the guilty party. Said party is Tessa Franco, CEO of Novum Industria, who is busily sabotaging oil production around the world. She wants to promote her new fuel cell to replace “this mad reliance on fossil fuels” and become even more stinking rich than she already is. She has “infected half the world’s major oil fields” by pumping oil-eating bacteria into them, rendering them useless. “She is the oil crisis,” Kurt tells the president. Kurt's and Tessa’s teams race to locate the Minerve, which may have critical genetic research Israel commissioned half a century ago. There are great action scenes underwater and on the surface, where Tessa’s seaplane, the Monarch, is almost as big as a 747. Rotten to the core, Tessa wants her lackeys to “get rid of Austin once and for all.” Her odds look mighty good considering the firepower she brings to bear.

Fast-paced, imaginative fun. May Kurt and crew survive, as there’s a good series to continue.

Pub Date: Nov. 6, 2018

ISBN: 978-0-7352-1902-1

Page Count: 416

Publisher: Putnam

Review Posted Online: Oct. 14, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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