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A DICTIONARY OF THE LOST

A potent and emotionally stirring depiction of how violence shapes everyday life.

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Berman presents a collection of short stories tracing the emotional impact of gun violence in the United States.

In an opening note, the author tells readers that her motivation for writing these tales is “to give voice to those who did not survive” the “epidemic of gun violence in this country.” The collection is arranged into 26 short stories, alphabetically ordered by victims’ first names. Each begins with some background details and the phrase, “I am a statistic.” Some stories are clearly inspired by recent events, such as the story of an elderly man killed in a temple on Rosh Hashanah, a teenager killed in Buffalo, and several others set in schools around the country. Although many stories explore similar themes, Berman is careful to avoid repetition, often building scenes in which characters (and readers) anticipate gun violence, only to have expectations subverted. For example, in “Ginger,” a climate activist fears an attack at a protest, only for violence to unfold at her daughter’s soccer match. There’s also variety among the author’s choice of subjects, which include children, teens, middle-aged and elderly people, and a range of ethnicities, sexualities, and lifestyles. One notably surprising story, “Kylor,” features a pro-gun activist who’s excited to visit a gun show and purchase a new rifle. That said, with so many vignettes circling toward similar endings, occasional overlap and repetition are inevitable. The first time Berman describes a shooter at a middle-school end-of-year assembly (“a young man wearing a bandana that covers half his face, standing on the stairs at the far-left of the stage. He is holding a large rifle and pointing it at all the winners, then quickly flashing it around the hall”), it’s shocking, but when readers begin to anticipate a killer’s eventual emergence, the suspense wanes. This may, of course, be intentional, but it’s a point that could have been made in fewer than 26 stories. Nonetheless, the individual and cumulative impact of these works remains striking.

A potent and emotionally stirring depiction of how violence shapes everyday life.

Pub Date: July 15, 2025

ISBN: 9781647429287

Page Count: 256

Publisher: She Writes Press

Review Posted Online: Dec. 6, 2024

Kirkus Reviews Issue: Feb. 1, 2025

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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