A compelling story about life and art with vivid characters and an engaging setting.
Berman’s historical novel, on the triumphs and trials of a female artist, paints a picture of bohemian life while discussing deeper questions about the creative process.
In 1760s Venice, Angelica Kauffman struggles to make her mark as a painter while supporting herself and her father. Although she makes a living painting reproductions, she wishes to pursue artwork about historical subjects, which brings in less money. She catches a lucky break when a British noblewoman spots her talent and takes her to London to seek her fortune. Angelica becomes a great success, thanks to constant commissions for portraits and paintings of historical subjects. She eventually meets and befriends other artists, including the celebrated portraitist Sir Joshua Reynolds. Despite Angelica’s determination to never marry, she becomes preoccupied with a mysterious Swedish count, and their relationship takes an expected turn. Later, Angelica and her family return to Italy, where she falls in with a community of artists and intellectuals in Rome. She’s intrigued by a man who turns out to be the celebrated author Johann Wolfgang von Goethe; they feel an instant connection. Their friendship, intense but platonic, deepens quickly as they share similar philosophies on art, nature, and love. As she contemplates her future, Angelica must figure out what kind of love she wants, and how a woman in a sexist society can enjoy her freedom. Berman’s story of Angelica’s adventures among the nobility and other bohemian artists paints an illuminating yet subtly drawn picture of 18th-century society and the art world, in particular. Angelica’s commitment to independence is steely and determined, and in scenes where she’s at her easel, it’s easy to grasp how inspiration strikes and a painting comes together: “I paint the faint suggestion of an angelic face into the clouds. No one else will likely ever notice it, but my eye goes directly to the departed soul.” Those looking for steamy romance will be disappointed, but Angelica’s absolute commitment to living her own life is intense and refreshing.
A compelling story about life and art with vivid characters and an engaging setting.Pub Date: Oct. 15, 2024
ISBN: 9781647427887
Page Count: 368
Publisher: N/A
Review Posted Online: Feb. 21, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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