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UNDER THE RADAR

A quiet tale of a young man learning to speak his truth.

A restrained rural coming-of-age and coming-out story.

Clark’s novel positions Alberta high school senior, wrestler, and farm kid Gunnar as determined to keep his gay identity private until he graduates. The story balances Gunnar’s self-awareness with concerns over what and who he has to lose, worried as he is that he has nothing in common with the out-and-proud crowd. Armed with a wardrobe update, things change when Gunnar protects an openly gay friend and assumptions about his sexuality swarm. His actions get him barred from sports and kicked out of P.E. Gunnar suspects homophobia is to blame, but he adapts to his new school cooking classes, takes a job with local gay farmers, and focuses on broadening his horizons and being himself. When Gunnar comes out to a friend, he faces some social ostracism but also benefits from gay role models, savvy teachers, and a supportive family. The slow pacing of this rural drama borders on flat, but Gunnar’s brooding inner narrative dovetails nicely with descriptions of the landscape and horseback riding. Unlike Gunnar’s cooking skills, nothing quite reaches a boil, but what the story lacks in tension is made up for in nuanced attention to interpersonal dynamics. Gunnar’s family members are Canadians of Icelandic descent, and most characters are white.

A quiet tale of a young man learning to speak his truth. (Fiction. 14-18)

Pub Date: April 28, 2020

ISBN: 978-1-77086-566-2

Page Count: 272

Publisher: DCB

Review Posted Online: March 24, 2020

Kirkus Reviews Issue: April 15, 2020

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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