A dustball of fun for fairly fluent readers.
Chores become fun via an enormous flying dustball and word nerdery.
Bespectacled Davey is sweeping under the couch. When he enlists his dog’s grudging help to dispose of a sizable dustball, a gust of wind takes the two up, up, and away on a grand adventure to Italy, Hawaii, China, and Switzerland. Along with sending the pair to a new location, each chapter also introduces a “big word,” such as “irksome,” “brouhaha,” “lollygagging,” “collywobbles,” and “phenomenon.” As in series opener The Missing Donut (2018), colorful beings called Sprinklers pop in to alert the reader before any “big word” is introduced (“Big word coming. BIG!”). Their leader, the Sprinkle Fairy, adds idiom-filled commentary. The repetitive formula, which smartly deviates in the final chapter to combine all the “big words” into a humorous skit, will indeed introduce readers who have some confidence already to new words. The quirky cartoon illustrations have ample white space, but readers unfamiliar with comics conventions may find the layout hard to follow without panels and speech bubbles. Additionally, the globe-trotting sequences rely on visual stereotypes to convey the locations (for example, the Swiss characters wear lederhosen and dirndls, and the Italians carry plates of spaghetti and meatballs; the depiction of an elderly Chinese man avoids facial stereotypes, however). Davey has brown skin and black hair; the Sprinkle Fairy presents white.
A dustball of fun for fairly fluent readers. (Early reader. 5-8)Pub Date: April 2, 2019
ISBN: 978-1-77138-789-7
Page Count: 56
Publisher: Kids Can
Review Posted Online: Jan. 27, 2019
Kirkus Reviews Issue: Feb. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A charming exploration of children’s special relationship with nature.
The story of a young Black boy who “fell in love with a field.”
The book opens with a peaceful scene of Emile sitting in a field overrun with wildflowers of various colors. This is his favorite haunt, where he and his little black dog spend countless hours undisturbed, daydreaming and communing with blossoms and insects. Emile—who often whispers lovingly to the field and regards it as a sentient companion—reflects on all the things the field will never get to experience. Although the field knows the four seasons and “how many stars / there were / and just how far,” it will never get to see the sea and skyscrapers. When winter comes and snow covers the field, Emile worries, wondering where the field goes when it disappears. And when some noisy children invade the field to sled and build snowpals, Emile hates that he has to share his beloved sanctuary, until his dad teaches him that love is not about possession but appreciation. Although some readers may pause at the unconventional punctuation, Young’s gentle, sparely worded narrative endearingly captures the animistic, magical thinking of children and the joy of tranquil childhood hours spent in nature. The impressionistic, atmospheric artwork—rendered in watercolor and ink—underscores the dreamy, spontaneous nature of Emile’s outdoor adventures and features open compositions that create a sense of expansiveness. All characters present Black except one White background character.
A charming exploration of children’s special relationship with nature. (Picture book. 5-8)Pub Date: March 15, 2022
ISBN: 978-1-984850-42-3
Page Count: 32
Publisher: Make Me a World
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
A solo debut for Wenzel showcasing both technical chops and a philosophical bent.
Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?
The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.
A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)Pub Date: Aug. 30, 2016
ISBN: 978-1-4521-5013-0
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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