A vibrant and expansive anthology.
Two distinguished writers/editors gather together flash nonfiction essays from both established and emerging writers.
In this volume, Kitchen (The Circus Train, 2014, etc.), who died in 2014, and Lenney (The Object Parade, 2014, etc.) continue the work they began 20 years ago when they first began editing anthologies of the newest and best in contemporary nonfiction. The works selected for inclusion are as delightfully varied in terms of tone, style, and subject matter as they are individually unique from each other. This diversity is signaled by the opening piece, James Richardson’s “Aphorisms & Ten-Second Essays,” an experimental reflection on the nature of storytelling that interweaves random truths about daily life. While the editors do not explicitly organize the pieces according to theme, they situate them in such a way so that, and as Lenney observes, “where one writer ends, another begins.” In “What I Hear,” for example, Martha Cooley reflects on her tinnitus and how the “instruments” she hears inside her head are ultimately playing me to myself.” In the essay that directly follows it, Geeta Kothari picks up the theme of listening. In her story, the perspective shifts to a woman who has spent her whole life doing as others have told her, even when what she has heard is superstition. Part of the vigor and liveliness that characterize this volume also derive from the fact that Kitchen and Lenney include the work of new writers like Josette Kubaszyk. In her lyrical essay “Swing,” she explores a young girl’s thoughts as she examines a swing and reflects on both its previous owner and her own experiences “swooping forward, falling back, humming the rhythm of the wind.” Refreshing and often unexpected, the stories in this collection—which run the gamut from memoir to critique to meditation and more—offer insights into experiences that, as they challenge readers’ perceptions of the world, also celebrate the pain, joy, and wonder of being human.
A vibrant and expansive anthology.Pub Date: Nov. 9, 2015
ISBN: 978-0-393-35099-9
Page Count: 356
Publisher: Norton
Review Posted Online: July 6, 2015
Kirkus Reviews Issue: Aug. 1, 2015
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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