Too few glimpses of Van Gieson’s appealing descriptive powers. And for a librarian, Claire spends less time with her nose in...
Van Gieson’s atmospheric series featuring lawyer Neil Hamel (Ditch Rider, 1998, etc.) tempts readers to follow her to the vibrantly rendered Albuquerque area and take a lover so young he could be called the Kid. She has less success with her other series heroine, divorced research librarian Claire Reynier, whose main interests now are books and avoiding her supercilious boss. After a visit from Evelyn Martin, an old sorority sister, Claire finds her signed first edition of Herman Melville’s The Confidence Man missing, along with a batch of her credit cards. Three other sorority sisters also been bamboozled by Evelyn now loom large as suspects when her badly decomposing body turns up. Who killed her: Ginny, who drinks too much? Elizabeth, who never met a woman she didn’t compete with, even her second husband’s daughter? Lynn, who could be the poster child for tranquility? And what about Miranda, driven by her roommate Evelyn’s shenanigans from college to television stardom and a husband who plays around? Trying to clear herself, Claire drives from Santa Fe to Cave Creek, Arizona to Albuquerque interviewing the sisters—except for Miranda, who’s off in Mexico filming—or is she? The Melville pops up (or does it?), and with the help of a friendly bookseller and a tolerant cop, Claire sets up a sting that resolves a case of authorial misdirection.
Too few glimpses of Van Gieson’s appealing descriptive powers. And for a librarian, Claire spends less time with her nose in a book than seems at all likely.Pub Date: Feb. 1, 2001
ISBN: 0-8263-2888-1
Page Count: 208
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2001
Tudor came out swinging with Chalk Man (2018), but this one puts her firmly on the map. Not to be missed.
When Joe Thorne takes a teaching job in the small English village of his youth, he soon realizes the darkness he's tried to forget certainly hasn’t forgotten him.
Returning to the tiny mining village of Arnhill wasn’t English teacher Joe Thorne’s first choice, and teaching at Arnhill Academy, which he attended as a boy, is the furthest thing from a dream job. But his choices are limited. A gambling problem has put him in debt to a man who will break his kneecaps, or worse, if he doesn’t get his money. Well, actually, he has a frightening woman named Gloria on hand to do that for him, and she’s got her eye on Joe. But Joe has a plan. He moves into a cottage where an Arnhill teacher recently killed her young son and then herself, writing “NOT MY SON” in blood on the wall. But beggars can’t be choosers, and Joe tries to settle in at Arnhill, where it’s soon obvious that his old foes never left, and they don’t want him in their village. Stephen Hurst, a bully Joe ran with as a kid, has a hold on the town, and his son Jeremy, an Arnhill student, is a chip off the old block. Unfortunately, Stephen shares a secret with Joe that involves Joe’s beloved sister, Annie, who disappeared when she was 8 and was very different when she returned. The events leading up to her death soon after were very strange indeed, and everything leads back to a mine shaft that is the source of ghost stories and rumors that have persisted for hundreds of years. The past and present are about to collide in chilling fashion. With Joe, Tudor avoids going the way of the unreliable narrator: He doesn’t lie to readers, even if he lies to others, and he has a snarky sense of humor that adds levity. Tudor maintains a tone of creeping dread throughout the book, of something lingering always in the background, coyly hiding its face while whispering promises of very bad things to come. In the last quarter, however, she goes for broke with outright horror, giving readers an effective jolt of adrenaline that will carry them all the way to the terrifying conclusion. Readers won’t know what hit them.
Tudor came out swinging with Chalk Man (2018), but this one puts her firmly on the map. Not to be missed.Pub Date: Feb. 5, 2019
ISBN: 978-1-5247-6101-1
Page Count: 288
Publisher: Crown
Review Posted Online: Nov. 12, 2018
Kirkus Reviews Issue: Dec. 1, 2018
You have seven days to live after reading this review. Is that your phone ringing?
First in a trilogy by a newcomer publishing house that promises high-class works from Japan.
Ring has sold three million copies in its native country, says Vertical, been filmed there, and the film remade here as a postmodern horror mystery released by DreamWorks as The Ring. In one month in 1990, four Japanese students who live fairly near each other die mysteriously of heart failure. Tomoko Oishi dies in the family kitchen, Shuichi Iwata on his motorcycle while waiting for the light to change at an intersection, and Haruko Tsuji and Takehiko Nomi in the front seat of a car while undressing for sexplay. All four have faces constricted with horror and seem to be pulling their heads off or blinding their vision. Tomoko happens to be the niece of Kazuyuki Asakawa, a journalist, who links all the deaths and sees a story in it. Japanese journalism has been through a heavy period of occult reports, and Asakawa’s editor only hopes it has all died down. A card Asakawa finds in Tomoko’s desk leads him to discover that all four victims had watched a video tape they’d been warned against viewing—a tape, as it happens, that’s something of a virus (in Asakawa, its horrific images cause sweat and shortness of breath). Then comes the message: Those who view these images are fated to die at this exact moment one week from now. If you do not wish to die, you must follow these instructions exactly . . . . Then the phone rings (hence Ring) and unspeakable bugs invade Asakawa until he slams down the receiver. Too late, though: he has a week to live. He brings in brainy Ruiji to help him, and Ruiji watches the tape. This stifling sense—is it an evil energy? Then Asakawa’s wife and daughter watch it . . . .
You have seven days to live after reading this review. Is that your phone ringing?Pub Date: May 1, 2003
ISBN: 1-932234-00-4
Page Count: 352
Publisher: Vertical
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2003
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