Readers will wish Greer was their conspiratorial best friend.
A memoir by a rare breed of Hollywood actress: happy, well-adjusted and working.
Greer, who has appeared in nearly 100 movies and TV roles (this is her first book), knows she is lucky. Her unconventional parents—her mother was fired from a convent before she could take her final vows as a nun—wholeheartedly supported her teenage ballet and acting aspirations, and she got cast, after her first audition, in a movie with David Schwimmer. This is not a Hollywood roman à clef; Greer doesn't dish and is amazed by and grateful for her good fortune. She embodies the role she calls "the ultimate movie best friend…funny, cute, sassy and approachable." She is so approachable, in fact, that people who believe they recognize her routinely ask, "What do I know you from?" Her initial response: "First of all, hi." During her 15-year career, she has become proficient at what she calls "fan profiling.” Eager to help, she asks, "What are you into?" and intuits by the questioner's clothes, age and sex which productions they may have seen her in. It could be from one (or several) of her wide-ranging roles, such as Arrested Development, Two and a Half Men, The Wedding Planner or 13 Going on 30. Greer is an engaging and witty storyteller, at turns wistful (of her beloved hometown, she writes, "Detroit is America's sad family member who can't catch a break") and unsparingly honest ("I used to be more ugly”). She is also willing to laugh at some of her more absurd can-you-believe-it stories—e.g., when she finally got the apartment she always dreamed of, beneath the iconic HOLLYWOOD sign, it turned out to be full of cockroaches and thieves and constantly under the watch of police helicopters.
Readers will wish Greer was their conspiratorial best friend.Pub Date: April 8, 2014
ISBN: 978-0-385-53788-9
Page Count: 256
Publisher: Doubleday
Review Posted Online: Feb. 5, 2014
Kirkus Reviews Issue: Feb. 15, 2014
A book that will challenge readers as much as the author has challenged herself.
A fiercely provocative and intellectually audacious memoir that focuses on motherhood, love and gender fluidity.
Nelson (Critical Studies/CalArts; The Art of Cruelty: A Reckoning, 2012, etc.) is all over the map in a memoir that illuminates Barthes and celebrates anal eroticism (charging that some who have written about it hide behind metaphor, whereas she’s plain from the first paragraph that she’s more interested in the real deal). This is a book about transitioning, transgendering, transcending and any other trans- the author wants to connect. But it’s also a love story, chronicling the relationship between the author and her lover, the artist Harry Dodge, who was born a female (or at least had a female name) but has more recently passed for male, particularly with the testosterone treatments that initially concerned the author before she realized her selfishness. The relationship generally requires “pronoun avoidance.” This created a problem in 2008, when the New York Times published a piece on Dodge’s art but insisted that the artist “couldn’t appear on their pages unless you chose Mr. or Ms….You chose Ms., ‘to take one for the team.’ ” Nelson was also undergoing body changes, through a pregnancy she had desired since the relationship flourished. She recounts 2011 as “the summer of our changing bodies.” She elaborates: “On the surface it may have seemed as though your body was becoming more and more ‘male,’ mine more and more ‘female.’ But that’s not how it felt on the inside.” The author turns the whole process and concept of motherhood inside out, exploring every possible perspective, blurring the distinctions among the political, philosophical, aesthetic and personal, wondering if her writing is violating the privacy of her son-to-be as well as her lover. Ultimately, Harry speaks within these pages, as the death of Dodge’s mother and the birth of their son bring the book to its richly rewarding climax.
A book that will challenge readers as much as the author has challenged herself.Pub Date: May 5, 2015
ISBN: 978-1-55597-707-8
Page Count: 160
Publisher: Graywolf
Review Posted Online: Jan. 14, 2015
Kirkus Reviews Issue: Feb. 1, 2015
PERSPECTIVES
In a sure-to-be-controversial book, Hari delivers a weighty, well-supported, persuasive argument against treating depression...
Mining the root causes of depression and anxiety.
Acclaimed British journalist Hari researched and wrote his bestselling debut, Chasing the Scream: The First and Last Days of the War on Drugs (2015), while pushing aside work on a subject that was much too personal to accept and scrutinize at the time. This book, the culmination of a 40,000-mile odyssey and hundreds of hours of interviews with social scientists and depression sufferers (including those who’ve recovered), presents a theory that directly challenges long-held beliefs about depression’s causes and cures. The subject matter is exquisitely personal for the author, since he’d battled chronic melancholy since his teenage years and was prescribed the “chemical armor” of antidepressants well into his young adulthood. Though his dosage increased as the symptoms periodically resurfaced, he continued promoting his condition as a brain-induced malady with its time-tested cure being a strict regimen of pharmaceutical chemicals. Taking a different approach from the one he’d been following for most of his life, Hari introduces a new direction in the debate over the origins of depression, which he developed after deciding to cease all medication and become “chemically naked” at age 31. The author challenges classically held theories about depression and its remedies in chapters brought to life with interviews, personal observations, and field-professional summations. Perhaps most convincing is the author’s thorough explanation of what he believes are the proven causes of depression and anxiety, which include disconnection from work, society, values, nature, and a secure future. These factors, humanized with anecdotes, personal history, and social science, directly contradict the chemical-imbalance hypothesis hard-wired into the contemporary medical community. Hari also chronicles his experiences with reconnective solutions, journeys that took him from a Berlin housing project to an Amish village to rediscover what he deems as the immense (natural) antidepressive benefits of meaningful work, social interaction, and selflessness.
In a sure-to-be-controversial book, Hari delivers a weighty, well-supported, persuasive argument against treating depression pharmaceutically.Pub Date: Jan. 23, 2018
ISBN: 978-1-63286-830-5
Page Count: 336
Publisher: Bloomsbury
Review Posted Online: Oct. 29, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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