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HOMAGE TO THE BLACK ARTS MOVEMENT

A HANDBOOK

An engaging collection of writings that celebrates and reveals the historic Black Arts Movement.

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Juanita’s (Virgin Soul, 2013, etc.) multigenre study guide invites readers to investigate, through fiction, poetry, drama, and essays, the many facets of the revolutionary black artistic and political movements of the 1960s and ’70s.

In the short story “The Black House,” a young woman’s first encounter with the Black Panther Party begins with nervous skepticism as she practices the Islamic greeting that the members use. She soon gets a quick introduction to sexual politics when a man ushers her into the kitchen with the words, “You belong in here.” After some resistance, she finds strength and commonality among the women of the group. The poem “(not) forgotten man” is a tribute to the author Amiri Baraka (aka LeRoi Jones), whom the speaker describes as a “quixotic nobody” who “blasted the bridges between black and white.” “Life is a Carousel” is a two-act play, set at an academic symposium and at an airport before and after it. In it, a 1960s Black Arts Movement activist (based on Baraka) spars with airline agents and younger black academics as he declaims a manifesto that modern readers will find to be both hopelessly dated and frustratingly timeless. When a younger professor says, “You lose credence when you refuse to update,” the old lion snaps back, “We call that co-opted.” The book ends with two essays, “Five Comrades in the Black Panther Party, 1967-1970” and “Meeting LeRoi Jones,” a dryly humorous story of hero worship and the thrill of a burgeoning movement. Overall, Juanita has created a dense and intriguing tribute to an important literary group whose influence still reverberates in American culture. Her works effectively embrace a wide variety of issues from gender politics to skin-color privilege within the black community. “Life is a Carousel,” for example, is a complex tapestry of intergenerational dialogue that punctures the pomposity of both the old and the young while also skewering academic conferences and probing issues of sex, sexuality, and gender identity. The discussion questions at the end of each work raise thought-provoking issues and encourage creativity.

An engaging collection of writings that celebrates and reveals the historic Black Arts Movement.

Pub Date: June 12, 2018

ISBN: 978-0-9716352-2-7

Page Count: 104

Publisher: EquiDistancePress

Review Posted Online: Oct. 23, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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