If one were to believe that monsters are real, this would be a great nonfiction reference tool. However, others will view it as a fantastic tongue-in-cheek treasure with encyclopedia-like entries. Sierra dispenses several survival tips for the basic monster encounter; for instance, she advises travelers to Russia to study riddle books in order to answer Poludnitsa’s queries (and survive). Other tips provide advice about eating habits, where to sleep and what to do—“swim only in the hotel pool” to avoid Wanagemeswak. She gives no such advice for the La Cobra Grande as the reader is advised that there are “no survivors to query.” Each entry provides a location, gruesomeness rating, description and survival tip. A fun read offering Drescher the chance to go wild with his trademark weirdness and just-scary-enough mixed-media illustrations of more than 60 gruesome creatures. Outrageous fun, but sure to inform as well. (afterword) (Picture book. 6-10)
Pub Date: Aug. 1, 2005
ISBN: 0-7636-1727-X
Page Count: 64
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2005
The leaves have changed, Thanksgiving nears—and the canny turkeys of Squawk Valley have decamped, leaving local residents to face the prospect of a birdless holiday. What to do? They decide to lure a bird back by appealing to its vanity, placing a want ad for a model to help sculptors creating turkey art, then “inviting” the bird to dinner. The ploy works, too, for out of the woods struts plump and perky Pete to take on the job. Shelly debuts with brightly hued cartoon scenes featuring pop-eyed country folk and deceptively silly-looking gobblers. Pete may be vain, but he hasn’t lost the wiliness of his wild ancestors; when the townsfolk come for him, he hides amidst a flock of sculpted gobblers—“There were turkeys made of spuds, / there were turkeys made of rope. / There were turkeys made of paper, / there were turkeys made of soap. / The room was full of turkeys / in a wall to wall collage. / For a clever bird like Pete / it was perfect camouflage.” He makes his escape, and is last seen lounging on a turkey-filled tropical beach as the disappointed Squawk Valleyites gather round the table for a main course of . . . shredded wheat. Good for a few giggles. (Picture book. 6-8)
Pub Date: Sept. 1, 2001
ISBN: 1-890817-91-0
Page Count: 40
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2001
This longer story by Nobel Laureate Buck, originally published in 1955, is presented for the first time as an illustrated work for children. Early one Christmas, an older man thinks back to his best Christmas morning in the year that he was 15 and living on his family dairy farm. That year, the narrator of the story, Rob, surprised his father with a special, heart-felt gift by getting up in the middle of the night to do all the milking by himself so his father could have Christmas morning off. The boy’s joy in planning the surprise for his father and the touching appreciation, pride, and love in the father’s gratitude are effectively conveyed in both the moving text and in Buehner’s (Snowmen at Night, p. 1385, etc.) realistic paintings. His deep-toned, striking illustrations are mainly set at night, with snowy farm scenes lit only by glowing lantern and shining star. One spread shows the Nativity scene with puffy clouds in a turquoise evening sky shaped like angel heralds, and the following memorable spread of the barn at night repeats this element with subtle clouds in the shapes of the participants in the manger setting. Buck’s sentimental but touching story memorably illustrates the value of a gift created with love, a gift like Buehner’s. (illustrator’s note) (Picture book. 6-9)
Pub Date: Oct. 1, 2002
ISBN: 0-688-16267-3
Page Count: 40
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2002
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