by Juhea Kim ‧ RELEASE DATE: Nov. 25, 2025
Uneven writing gets in the way of environmental plotlines.
Stories explore love amid climate disasters.
Novelist Kim combines themes of climate catastrophe and love in her first collection of short fiction. Some of the 10 stories have a futuristic bent, like “Biodome” and “Bioark,” in which characters search for love while living, respectively, in a protective dome in a future Seoul or on a nouveau ark sailing the blood-red ocean. The plots are clever riffs on class and capitalism, revealing diverse reactions to the environmental disaster, from hoarding resources and seeking clout to dreaming of escape. Other stories can be didactic, as in “Notting Hill,” in which a character spells out the environmental stakes in casual conversation: "So, you do realize the world’s best scientists have testified that Earth’s average temperatures have risen to levels never before seen in the history of humanity…” On occasion, Kim resorts to stereotypes or caricatures to make her points about the global reach of climate disaster. In “KwaZulu-Natal,” the mixed-race Zulu and Afrikaner protagonist speaks entirely in dialect: “When it’s blimmin hot like this in August...I always think on my elephant.” It’s an awkward choice given that every other character in the book—whether Korean, Argentinian, Norwegian, American, or even British—speaks in standard American English. “Mountain, Island” is a tonally strained satire of poverty tourism featuring a child living on a remote island used as a dumping ground who attains fame by imitating K-pop dancers. “Older Sister” unironically recycles model minority tropes, namely a perfect 1600-SAT-scoring daughter of hard-working Korean immigrants whose store is attacked during the riots following the Rodney King verdict in Los Angeles. It’s potentially rich material, but the characters are flat. Kim details her own environmental activism in an afterword: “If you’re an artist, it is not conscionable to use our ecological catastrophe as material for fiction and not personally do something to help.” While Kim’s sincerity is never in doubt, the collection has a hasty feel to its construction.
Uneven writing gets in the way of environmental plotlines.Pub Date: Nov. 25, 2025
ISBN: 9780063446397
Page Count: 224
Publisher: Ecco/HarperCollins
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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by Juhea Kim
BOOK REVIEW
by Juhea Kim
by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
Awards & Accolades
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
by Thomas Schlesser ; translated by Hildegarde Serle ‧ RELEASE DATE: Aug. 26, 2025
A pleasant if not entirely convincing tribute to the power of art.
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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
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SEEN & HEARD
SEEN & HEARD
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