An engaging tale based on the life of an intriguing woman.
A historical novel focuses on the life of a groundbreaking scientist.
In this book, part of the Mentoris Project’s series celebrating noteworthy figures in Italian and Italian American history, Selbo explores the life of 18th-century polymath Laura Bassi. Bassi overcame barriers and prejudice to become the first woman to teach at the University of Bologna. The story opens with 5-year-old Laura asking challenging questions and showing her thirst for knowledge. She begins studying at home with tutors and demonstrates an aptitude for learning and an affinity for the new forms of scientific research that are being developed at the time. Although her mother worries that her daughter’s lack of interest in socializing will doom her to spinsterhood, Laura ends up marrying a fellow academic who supports her research and the laboratory that she establishes at home when the university does not allow her to work on its campus. The author blends lush historical details (“She walked down the center aisle, elegant in a deep blue beaded silk gown, her hairpieces studded with crystals and pearls”) with Laura’s more intellectual pursuits, maintaining a balance between creating the setting and examining more esoteric topics. The book skillfully invokes the Enlightenment themes that drive Laura’s work—science and religion, experiments versus theories, the pursuit of learning—developing them in the text as well as inserting them in characters’ conversations. Readers with limited historical backgrounds will have little trouble following the plot, as Selbo puts Laura’s letters to other prominent scientists, Roman Catholic Church politics, and the characters’ daily lives in the necessary context. The author also adds details and cameo appearances by historical figures who will be familiar to those with knowledge of the era. The novel hews closely to Bassi’s documented history and does an excellent job of plausibly and satisfyingly filling in the blanks of her story. The book is informative without being didactic and delivers an enjoyable narrative that also achieves its educational goals.
An engaging tale based on the life of an intriguing woman.Pub Date: April 1, 2020
ISBN: 978-1-947431-29-4
Page Count: 314
Publisher: Barbera Foundation
Review Posted Online: July 23, 2020
Kirkus Reviews Issue: Oct. 1, 2020
Review Program: Kirkus Indie
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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