The bleakest horror story can also be a love story; Armfield deftly illustrates how.
What happens to a marriage when one spouse is no longer the person you married?
Leah and Miri lead a conventional married life of comfortable routine, shared love of movies, and happiness at having found each other. Then Leah, a marine scientist, embarks on a three-week submarine expedition during which things seem to go disastrously wrong, and she and her shipmates disappear for six months at the very bottom of the ocean. Miri’s narrative and excerpts from Leah’s diary of the mission relate their growing awareness—and grudging management—of the changes and relationship losses they both endure as a result of their prolonged separation. When Leah returns home, things do not go as Miri had envisioned; her unanticipated transformation—a terrifying dissolution of her human form into something unfamiliar and strange—challenges Miri’s assumptions about the course of their life together. Structured like the ocean’s levels, deepening and darkening the further one descends, the novel slowly reveals that the horrific situation Leah tolerated may not have not been as accidental as it first seemed. The unearthly circumstances of Leah’s underwater captivity and mutation are horrible enough but take on new meaning in relation to other, more understandable situations Miri has faced in her life: the metamorphosis her mother underwent during a fatal illness and the sometimes-irritating voices she hears constantly emanating from an unseen neighbor’s television. Is Leah's current circumstance just further along the continuum of human understanding of loss and endurance? Launching her book with epigraphs from both Moby-Dick and Jaws, Armfield guides the reader through the liminal spaces in the couple’s lives and approaches them with an occasionally ironic humor.
The bleakest horror story can also be a love story; Armfield deftly illustrates how.Pub Date: July 12, 2022
ISBN: 978-1-250-22989-2
Page Count: 240
Publisher: Flatiron Books
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
BOOK REVIEW
BOOK REVIEW
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
An emotionally acute study of manliness.
Scenes from the life of a well-off but emotionally damaged man.
Szalay’s sixth novel is a study of István, who as a 15-year-old in Hungary is lured into a sexual relationship with a married neighbor; when he has a confrontation with the woman’s husband, the man falls down the stairs and dies. Add in stints in a juvenile facility and as a soldier in Iraq, and István enters his 20s almost completely stunted emotionally. (Saying much besides “Okay” sometimes seems utterly beyond him.) Fueled by id, libido, and street drugs, he seems destined to be a casualty until, while working as a bouncer at a London strip club, he helps rescue the owner of a security firm who’s been assaulted; soon, he’s hired as the driver for a tycoon and his wife, with whom he begins an affair. István is a fascinating character in a kind of negative sense—he’s intriguing for all the ways he fails to confront his trauma, all the missed opportunities to find deeper connections. To that end, Szalay’s prose is emotionally bare, deliberately clipped and declarative, evoking István’s unwillingness (or incapacity) to look inside himself; he occasionally consults with a therapist, but a relentless passivity keeps him from opening up much. His capacity to fail upwards eventually catches up with him, and the novel becomes a more standard story about betrayal and inheritances, but it also turns on small but meaningful moments of heroism that suggest a deeper character than somebody who, as someone suggests, “exemplif[ies] a primitive form of masculinity.” István’s relentlessly stony approach to existence grates at times—there are a few too many “okay”s in the dialogue—but Szalay’s distanced approach has its payoffs. Being closed off, like István, doesn’t close off the world, and at times has tragic consequences.
An emotionally acute study of manliness.Pub Date: April 1, 2025
ISBN: 9781982122799
Page Count: 368
Publisher: Scribner
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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