by Julia Donaldson ; illustrated by Axel Scheffler ‧ RELEASE DATE: April 1, 2012
A treat.
With a tale that shares more ground with tales of Robin Hood and the Three Billy Goats Gruff than its inspiration, Alfred Noyes’ “The Highwayman,” Donaldson and Scheffler deliver a lot of laughs.
With a rhyming cadence evoking the hoofbeat pattern of Noyes’ rhythmic verse, Donaldson introduces an anthropomorphic, thieving rat on horseback who steals food from all he encounters. He wants sweets but still takes clover from a passing rabbit, nuts from a squirrel and even a leaf from a line of ants. He grows fat while they starve, until a duck comes along. The rat threatens to eat her since she carries no food, but taking a cue from the Billy Goats Gruff, she sends him in search of her sister, who supposedly has a hoard of “biscuits and buns aplenty” hidden in a cave. Led there, he calls into the cave, mistaking the echo as the sister’s response with a list of goodies. When he goes to find the treats, the crafty duck channels Robin Hood to steal back his saddlebags of food for the other animals, leaving the rat to wander blindly through the dark cave. Throughout, humorous illustrations obscure any sense of danger in the story, instead provoking pleasure. In an ending that matches the entire book’s comic tone, the rat secures a job cleaning a bakery, leaving the others free of his thieving ways.
A treat. (Picture book. 3-7)Pub Date: April 1, 2012
ISBN: 978-0-545-47758-1
Page Count: 32
Publisher: Levine/Scholastic
Review Posted Online: Feb. 17, 2013
Kirkus Reviews Issue: March 1, 2013
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: July 2, 2019
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
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New York Times Bestseller
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All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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