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ROOM ON THE BROOM

Each time the witch loses something in the windy weather, she and her cat are introduced to a new friend who loves flying on her broom. The fluid rhyming and smooth rhythm work together with one repetitive plot element focusing young attention spans until the plot quickens. (“Is there room on the broom for a blank such as me?”) When the witch’s broom breaks, she is thrown in to danger and the plot flies to the finish. Her friends—cat, dog, frog, and bird—are not likely to scare the dragon who plans on eating the witch, but together they form a formidable, gooey, scary-sounding monster. The use of full-page or even page-and-a-half spreads for many of the illustrations will ensure its successful use in story times as well as individual readings. The wart-nosed witch and her passengers make magic that is sure to please. Effective use of brilliant colors set against well-conceived backgrounds detail the story without need for text—but with it, the story—and the broom—take off. (Picture book. 6-8)

Pub Date: Sept. 1, 2001

ISBN: 0-8037-2557-0

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2001

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WHAT THE ROAD SAID

Inspiration, shrink wrapped.

From an artist, poet, and Instagram celebrity, a pep talk for all who question where a new road might lead.

Opening by asking readers, “Have you ever wanted to go in a different direction,” the unnamed narrator describes having such a feeling and then witnessing the appearance of a new road “almost as if it were magic.” “Where do you lead?” the narrator asks. The Road’s twice-iterated response—“Be a leader and find out”—bookends a dialogue in which a traveler’s anxieties are answered by platitudes. “What if I fall?” worries the narrator in a stylized, faux hand-lettered type Wade’s Instagram followers will recognize. The Road’s dialogue and the narration are set in a chunky, sans-serif type with no quotation marks, so the one flows into the other confusingly. “Everyone falls at some point, said the Road. / But I will always be there when you land.” Narrator: “What if the world around us is filled with hate?” Road: “Lead it to love.” Narrator: “What if I feel stuck?” Road: “Keep going.” De Moyencourt illustrates this colloquy with luminous scenes of a small, brown-skinned child, face turned away from viewers so all they see is a mop of blond curls. The child steps into an urban mural, walks along a winding country road through broad rural landscapes and scary woods, climbs a rugged metaphorical mountain, then comes to stand at last, Little Prince–like, on a tiny blue and green planet. Wade’s closing claim that her message isn’t meant just for children is likely superfluous…in fact, forget the just.

Inspiration, shrink wrapped. (Picture book. 6-8, adult)

Pub Date: March 23, 2021

ISBN: 978-1-250-26949-2

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: April 7, 2021

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A BOY LIKE YOU

This visually buoyant book may well succeed at redirecting gender expectations—though not bending them.

The title answers a question: What does the world need?

In simple, aphorism-laced language, Murphy offers a positive vision of masculinity that focuses on what he dubs “ ‘inside’ strength”—the sort that privileges kindness, respect for self and for others, knowing when to ask for help, and daring to dream big. He begins with guidelines for right behavior on the playing field (“Say ‘Nice goal!’ and ‘Good try!’ / Don’t say ‘You throw like a girl.’ Ever”). With the heartily welcome reminder that “there’s so much more than sports,” he goes on to suggest that spending time in a garden, kitchen, or science lab, playing music, reading or writing stories can all be just as valid and satisfying. Likewise showing consideration for others, working toward goals, and finally realizing that “the best you / is the you that is ALL you…. / Not a little you and a little someone else.” Harren adds life and color to this earnest but not exactly electrifying advice in vignettes depicting a black lad with mobile features and interracial parents playing or otherwise posing in various settings amid a thoroughly diverse cast of peers, pets, and passersby. The figures, human and otherwise, are rendered with fetching individuality that really comes out in group scenes…particularly on the closing pages, where the illustrator lines up smiling young children, including girls, in informal rows.

This visually buoyant book may well succeed at redirecting gender expectations—though not bending them. (Picture book. 6-8)

Pub Date: July 15, 2019

ISBN: 978-1-53411-046-5

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: May 25, 2019

Kirkus Reviews Issue: June 15, 2019

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