In search of legendary “iggly plops,” Jumbeelia climbs down the “bimplestonk” and finds a lawn mower, a sheep and three children whom she pops into her collector’s bag and takes back to Groil, her giant’s world in the clouds. As the kidnapped “iggly plops,” Collette, Steven and baby Poppy, come to understand their predicament, from Jumbeelia’s harmless first welcoming kiss and delicious French fry, and the eventual signs of growing neglect, their old careless relationship changes and becomes caring. Collette’s deepening introspection and fear grows, as she recognizes in Jumbeelia and herself the symptom of a casual collector: boredom. The plot quickens when Zab, Jumbeelia’s brother, takes control. No longer animated dollhouse toys, in Zab’s grip, they are helpless play-action figures to be tortured, forcing the children to drastic action. An invented Giant language that may entice young readers to the back to decipher the English-sounding picturesque language—or may drive them away—makes coincidence and quick resolutions a little less irritating. This reverse Jack in the Beanstalk feels like—and will be—a children’s movie. (Fiction. 8-10)
Pub Date: Sept. 1, 2005
ISBN: 0-8050-7805-3
Page Count: 208
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2005
Both cozy and inspiring, this eco-fable conveys both grim truths and a defiant call to action.
The best birthday present is a magical train full of talking animals—and a new job.
On Kate’s 11th birthday, she’s surprised by the arrival of rich Uncle Herbert. Uncle Herbert bears a gift: a train. Not a toy train, a 102.36-ton steam engine, with cars that come later. When Kate and her brother, Tom, both white, play in the cab of the Silver Arrow, the train starts up, zooming to a platform packed with animals holding tickets. Thus begins Kate and Tom’s hard work: They learn to conduct the train and feed the fire box, instructed by the Silver Arrow, which speaks via printed paper tape. The Silver Arrow is a glorious playground: The library car is chockablock with books while the candy car is brimful of gobstoppers and gummy bears. But amid the excitement of whistle-blowing and train conducting, Kate and Tom learn quiet messages from their animal friends. Some species, like gray squirrels and starlings, are “invaders.” The too-thin polar bear’s train platform has melted, leaving it almost drowned. Their new calling is more than just feeding the coal box—they need to find a new balance in a damaged world. “Feeling guilty doesn’t help anything,” the mamba tells them. Humans have survived so effectively they’ve taken over the world; now, he says, “you just have to take care of it.” (Illustrations not seen.)
Both cozy and inspiring, this eco-fable conveys both grim truths and a defiant call to action. (Fantasy. 8-10)Pub Date: Sept. 1, 2020
ISBN: 978-0-316-53953-1
Page Count: 256
Publisher: Little, Brown
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
BOOK REVIEW
From levitating frogs to giant vegetables that take wing, Wiesner resuscitates his fondness for flying in another stretch of his imagination. In a wordless story told through picture panels and murals, a young boy is overtaken by fog on a class field trip to the top of the Empire State Building. He befriends a snowmanlike cloud who dons the boy’s red cap and scarf and wings him to an ominous factory in the sky. Dubbed Sector 7, this imposing, industrial hunk of machinery is a Grand Central Station for clouds, from which they’re all dispatched. The boy learns that clouds can freely take on various shapes, and soon has them twisting and stretching themselves into fish, to the dismay of the grim, uniformed workers. In a showy display, the clouds invade Manhattan, surprising cats at windows and children below. Wiesner’s fans will rediscover all his favorite motifs—dreams overlapping reality, metamorphosing creatures, and more—rendered in precise watercolors with tilted perspectives. Others will find themselves scratching their heads as to his purpose, other than indulging in elliptical displays and in pointlessly defying convention. (Picture book. 5-7)
Pub Date: Sept. 1, 1999
ISBN: 0-395-74656-6
Page Count: 48
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1999
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