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UNDER THE MAMBO MOON

Despite a few good poems and the much-needed subject matter, the end result lacks cohesion.

Durango’s ambitious, inventive poetry collection on Latino music and dance covers an enticing subject but ultimately tries to do too much.

During the summer, Marisol helps her father run his music store. This store attracts a plethora of Latino characters, many of whom long for the music of their home countries. Marisol’s first-person free-verse poem frames 14 one-page poems, each titled after different characters. The book alternates between Marisol’s evening at the store and these other poems, which appear in duos and trios until Marisol’s own verse on the title mambo ends the collection. VandenBroeck’s illustrations also rotate, from black and white for the frame narrative to color (replete with grinning, rosy-cheeked characters) for the individual poems. The shorter verses vary in style and length, including free verse, rhymed and concrete poems. Musical styles range from mariachi to vallenato, while the dances cover everything from the cha-cha-cha [sic] to the tango. Adding to the wave of characters, musical styles and dances are Spanish words with few, if any, textual clues, although the author does discuss each style briefly at the book’s end. While a few poems allude to the tumultuous backgrounds of some of the styles, the author’s note glosses over colonization and slavery in Latin American history.

Despite a few good poems and the much-needed subject matter, the end result lacks cohesion.   (author’s note, glossary) (Poetry. 8-12)

Pub Date: July 1, 2011

ISBN: 978-1-57091-723-3

Page Count: 48

Publisher: Charlesbridge

Review Posted Online: June 7, 2011

Kirkus Reviews Issue: June 15, 2011

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WISH I WAS A BALLER

A tighter focus would make this fascinating life story even more intriguing.

In this graphic memoir by sports journalist Shah, a ninth grader pursues his passion in the face of familial expectations pushing him toward a medical career, while also navigating the perils of high school social life.

It’s 1995, and Indian American Amar is desperate to meet the Chicago Bulls—Michael Jordan, in particular—when they stop by his Orlando, Florida, school. A lucky break leads him to his first sports interview, with Phil Jackson, and his tenacity takes him further, leading to multiple conversations with Shaquille O’Neal. But Amar’s luck in journalism doesn’t spill over to his relationship with his crush, blond Kasey Page (“like a mixture of Cameron Diaz, Tinkerbell, and heaven”), or his efforts to remain close with best friends Rohit and Cherian, who start spending more time with other classmates. The work relies on captions as much as plot developments to propel the story. It also follows a broad cast of characters—close and former friends, antagonists, supportive adults, and famous athletes—who appear in multiple storylines. The story accurately depicts the complexities of life as a young teen, though overlapping life challenges pull it in multiple directions, leaving some threads underexplored and hastily wrapped up. Doucet illustrates the characters using loose, disjointed outlines that give the artwork a sense of movement, and the colorful backgrounds use patterns and action lines to indicate a wide array of emotions.

A tighter focus would make this fascinating life story even more intriguing. (author’s note, photographs) (Graphic memoir. 9-12)

Pub Date: Aug. 5, 2025

ISBN: 9781546110514

Page Count: 304

Publisher: Graphix/Scholastic

Review Posted Online: June 13, 2025

Kirkus Reviews Issue: July 15, 2025

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UGLY

An apt choice for collections that already have stronger alternatives, such as R.J. Palacio's Wonder (2012).

A memoir of the first 14 years in the life of Australian Robert Hoge, born with stunted legs and a tumor in the middle of his face.

In 1972, Robert is born, the youngest of five children, with fishlike eyes on the sides of his face, a massive lump in place of his nose, and malformed legs. As baby Robert is otherwise healthy, the doctors convince his parents to approve the first of many surgeries to reduce his facial difference. One leg is also amputated, and Robert comes home to his everyday white, working-class family. There's no particular theme to the tale of Robert's next decade and a half: he experiences school and teasing, attempts to participate in sports, and is shot down by a girl. Vignette-driven choppiness and the lack of an overarching narrative would make the likeliest audience be those who seek disability stories. However, young Robert's ongoing quest to identify as "normal"—a quest that remains unchanged until a sudden turnaround on the penultimate page—risks alienating readers comfortable with their disabilities. Brief lyrical moments ("as compulsory as soggy tomato sandwiches at snack time") appeal but are overwhelmed by the dry, distant prose dominating this autobiography.

An apt choice for collections that already have stronger alternatives, such as R.J. Palacio's Wonder (2012). (Memoir. 8-12)

Pub Date: Sept. 6, 2016

ISBN: 978-0-425-28775-0

Page Count: 208

Publisher: Viking

Review Posted Online: May 17, 2016

Kirkus Reviews Issue: June 1, 2016

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